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Documentary Renews Focus on Religious Freedom in Uzbekistan

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Washington – With his pardon of thousands of prisoners and removal of more than 18,000 citizens from a notorious blacklist after coming to office in 2016, President Shavkat Mirziyoyev raised hopes that religious freedom in Uzbekistan – the lingering source of criticism over the country’s human rights record – was set to improve after decades of repression.

Oqlanmagan – Unexonerated is a new documentary by the Oxus Society for Central Asian Affairs. It reveals that Uzbekistan still has a long way to go. The film also echoes some recommendations made by U.S. experts, who recently toured Uzbekistan to examine the issue at the invitation of the government.

Noah Tucker, who produced Oqlanmagan with a team in Uzbekistan, told VOA the film amplifies the voices “we do not normally hear, and confronts the broader public, the government of Uzbekistan and the international community with questions about whose suffering counts, whose pain is real and legible.”

Focusing on individuals unfairly labeled “extremists” under Islam Karimov, the republic’s former dictator who governed for more than a quarter of a century, the film describes an Islamic revival that began in Uzbekistan in the late 1980s, as a growing sense of national and Muslim identity fueled resistance to Soviet rule.

Following independence in 1991, things quickly went wrong. “Despite publicly embracing democracy and Islam, Karimov saw both movements as a threat to his continued power,” highlights the documentary. By 2000, Karimov had introduced wide-ranging restrictions on the free exercise of religion, saying they were needed to combat extremism and radicalism.

Oqlanmagan documents how authorities arrested “tens of thousands of practicing Muslims … forcing them to sign pre-written confessions that resulted in decades-long prison sentences on charges of terrorism and treason.” Many were subjected to torture and accused of attempting to overthrow the government.

US, UN Officials Hail Uzbekistan’s Repatriation of IS Families

Upon taking office in 2016, President Mirziyoyev acknowledged a pattern of systemic abuse, called for the release of religious prisoners, and abandoned the Karimov-era blacklist naming individuals who were suspected of extremism but had not committed any crime. Many expected the new administration to quickly exonerate all those who had been arbitrarily imprisoned.

Eight years later, however, the system still has not acted on thousands of cases that families see as unlawful convictions. In 2021, it adopted a law that reinforced religious restrictions reminiscent of the Karimov era.

Oqlanmagan features human rights activist Ahmadjon Madumarov, whose three sons were imprisoned on charges of membership in Hizb-ut-Tahrir, an organization that Tashkent bans as extremist but which is legal in the United States and Europe. Collectively, they served 60 years in prison, with their sentences repeatedly extended on vague pretexts.

For Madumarov, Karimov’s rule is synonymous with political repression and the isolation of Uzbekistan from the wider world.

Habibullo, one of the sons who spent more than 21 years behind bars, says he believes many were locked up because the regime saw them as critics.

Expert recommendations and how Tashkent sees the issue

In recent years, prominent reports by the U.S. Commission on International Religious Freedom and Ahmed Shaheed, the former U.N. special rapporteur on freedom of religion, have praised Mirziyoyev’s steps forward on religious freedom, while calling on authorities to release and rehabilitate remaining prisoners and do more to curtail the still wide-ranging powers of the security services.

Tashkent has reacted coldly to these assessments, insisting the country holds no religious or political prisoners.

But in January, Uzbekistan invited a group of U.S. experts to meet policymakers, religious leaders and civil society. The delegation told VOA that, in contrast to earlier visits to assess religious freedom in Uzbekistan, they felt free to interact with ordinary citizens.

During a January 29 discussion in Washington, the Uzbek ambassador to the U.S., Furqat Sidiqov, said his government is “committed to improving the human rights situation.”

‘This is a very important issue for us. We have a comprehensive, open, constructive dialogue with the United States. There’s not any issue that we cannot discuss,” he said.

Sidiqov argued that Tashkent takes steps not to please external actors but for the benefit of the nation.

Describing religious tolerance and openness as critical prerequisites for good governance, Sidiqov acknowledged, “Of course, there are issues and problems. It’s natural, but our approach is different now.”

Chris Seiple, a member of the delegation and president emeritus of the Institute for Global Engagement, sees Central Asia as a tough neighborhood that has “never had experience with an unregulated religious space.”

“In every single interview, even when the government was not in the room, human rights activists agreed on one thing: today versus the previous administration, it is incomparably better than before. Most of them also say that there are areas that, if improved, would enhance Uzbekistan’s security as a state and for its citizens,” Seiple said.

In his analysis, the government’s approach to religious freedom is driven by concerns about extremism and terrorism, even though the country has not suffered a terrorist attack since 2004. The most serious attack, which killed 16 and injured more than 100 in 1999, was blamed on the Islamist Movement of Uzbekistan, whose remnants are still reportedly active in Afghanistan.

Civil Society Struggles for Freedom in Central Asia

Nadine Maenza, president of the International Religious Freedom Secretariat and former chair of USCIRF, who also traveled to Uzbekistan, says citizens lack clarity from the state about how they can legally practice their faith.

Like other experts, she worries that intensifying control over the Muslim majority results in sporadic harassment. The government should “define religious extremism precisely in legal terms, ensuring that this definition is transparent and publicly available,” she suggested.

Maenza urges the Uzbek government to work with local and international legal experts to differentiate between peaceful religious expression and actions genuinely constituting a security threat.

Tucker, the producer of Oqlanmagan, observes that political leaders relying too heavily on security services often come up with the wrong policies. But like many in Uzbekistan, he believes that under Mirziyoyev, the country has been able to embrace Islam more openly than before. He encourages the administration not to abandon this process.

“The easiest way to [diminish] this is to claim that ordinary things people began to do as the result of reforms – growing beards, girls wearing hijab in schools, et cetera – is a sign of danger,” Tucker told VOA.

“This is another reason we made the film: to give the political establishment, the public, and the international community access to another source of information about what’s happening on the ground.”

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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