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Eva Peron Maintains Grip on Argentina Decades After Her 1952 Death

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BUENOS AIRES, Argentina – Early every morning, just as she reaches her workplace at a labor union in Buenos Aires, Angeles Celerier heads to the chapel and prays to Saint Cajetan, Saint Teresa and Eva Peron.

Peron – unlike the others – has not been canonized by the Vatican, but this doesn’t matter to Celerier.

‘For me, she is the saint of the people,’ the 56-year-old Argentine said.

Many union members think of Evita as their patron or gaze at her photos with nostalgia, feeling that she and her husband, three-time President Juan Domingo Peron, brought prosperity to their country through an equality and social justice-driven movement that was named after him in the 1940s: Peronism.

That movement is currently the biggest opposition force in Argentina. And some political observers attribute the recent vote to elect President Javier Milei as a means to defeat Peronism and its previous hold on the presidency.

‘For us, she is the spiritual reservoir of the people,’ said Julio Piumato, human rights director at the largest union in Argentina. He signed a 2019 document requesting Evita’s beatification.

‘No other figure has a deeper significance,’ Piumato said. ‘The humble sectors are synthesized in Evita.’

According to the union leader, between 1946 and 1952, when Evita died of cancer at age 33 and Peron concluded his first term, the couple dignified the working class and prioritized social justice.

FILE – Argentine banknotes printed with the face of former first lady Eva Perón, are on display at the Peron Peron restaurant in the San Telmo neighborhood of Buenos Aires, Argentina, Feb. 9, 2024.

‘Saints show us paths to reach Christ and intercede before God for us,’ reads the beatification request delivered to the archbishop. ‘In our homeland, one generation after another continues to be converted by the humanist and Christian message of the standard bearer of the humble.’

Aside from a 1996 movie starring Madonna or Andrew Lloyd Weber’s 1978 musical, many foreigners know relatively little about this former first lady who died 71 years ago.

But in Argentina, Evita is a constant presence. Her face is printed on 100-peso bills, decorates a mural on a key government building, and greets guests from an altar placed in a restaurant called Saint Evita.

‘I carry her image in my wallet, and I have it at home in a small picture frame with a candle,’ Celerier said. ‘I ask her for protection.’

How a first lady turned into a champion of the poor

The secret behind the fascination that she awakens might be hidden in her name.

Long before becoming first lady, she called herself Maria Eva, a girl who left the town of Los Toldos to try her luck as an actress in Buenos Aires. As a modest film star she was known as Eva Duarte and afterwards became Eva Peron, the president’s wife. Then came Evita.

‘Evita is the one who is close to the people,’ said Santiago Regolo, a researcher at Museum Evita. ‘People began to call her that, and that construction is linked to the political and social work that distinguished her from the women who preceded her and take her as an example to this day.’

Evita was the one who paid visits to elders and single mothers. The one who handed out toys for children and bread for families. The one who promoted paid vacations for workers who had never been able to afford a break and gave a final push to achieve the women’s right to vote in 1947.

She has also inspired some feminists – who carry her photo along with their green scarves during protests – as well as a political organization that asks for social transformation using her image as a logo.

‘Having Evita on our flag represents being with those in the lower classes and trying to vindicate her name over time,’ said Ivan Tchorek, from the Evita Movement, which has 155,000 members nationwide and was created after an economic crisis in 2001.

She’s relevant as ever, Tchorek said, because Peronism is. Thousands of workers like him recently led a general strike against the right-wing Milei, who defeated Peronist candidate Sergio Massa last November. Soon after, Milei issued a decree that would revoke or modify hundreds of existing laws in order to limit the power of unions and deregulate an economy that has traditionally featured heavy state intervention.

FILE – A waitress lights a candle on an altar dedicated to Argentine former first lady Eva Perón, or Evita, at the Santa Evita restaurant in the Palermo neighborhood of Buenos Aires, Argentina, Jan. 28, 2024.

Even as a union standard-bearer in polarized times, Evita and her memory have the ability to transcend politics. ‘Certain issues are linked to matters of a sentimental, sacralized nature,’ Regolo said. ‘She is seen as a companion, a sister, a mother for the humble.’

At her home in an impoverished neighborhood outside Buenos Aires, 71-year-old Rita Cantero says she almost met Evita. When her mother asked the first lady for help, she was pregnant with her.

‘My mother used to say that Evita was very supportive, that people really liked her for the service she provided.’

Aware of the challenges of being a single mother, Rafaela Escobar attended a public event held by Evita in a plaza near her home. After being able to approach her and confide in her distress, Evita hugged her and said: ‘Don’t worry, I will help.’

Three weeks later, Escobar received a cradle and clothes for her unborn child.

Cantero says her mother never met Evita again, but she sent her letters and the first lady replied with envelopes carrying money.

‘For us she is like a saint,’ Cantero said. ‘Many judged her because she was a woman, but she was an honest, hard-working girl. She fought for our nation and was the force of Peron.’

Evita’s mixed legacy and the fight over her embalmed body

Peron died two decades after Evita, in 1974, but his name continues to spark both admiration and hatred, yearning and blame.

His critics – among them legislator Fernando Iglesias, who has published several books contending Peronism ruined the country – claim that Peron was an authoritarian leader and his movement’s social assistance disguised corruption and patronage while generating too much dependence on the government.

Critics address Eva too. Her foundation pressed donors for resources, some say. She was careerist and a hypocrite, others assert. On the one hand, she claimed to defend the poor and on the other, she dressed in Dior.

‘Would she be the saint of the lazy?’ a user tweeted when the union requested her beatification. ‘Patron of criminals,’ someone else wrote.

Erasing her from history was once a command. After a coup overthrew Peron in 1955, it was forbidden to say her name, display her image or keep her gifts. The military removed her embalmed body from a union’s headquarters, where it was initially kept, and sent it to Europe.

The body came back after 14 years, and when the military took over again in the 1970s, it was given to her family under one condition: She would be buried 8 meters underground, sealed in a marble crypt so that no one would ever see her again.

‘Evita is the best thing that could have happened to this country,’ said Carolina Castro, 22, holding back tears next to Evita’s grave in Recoleta Cemetery, where Argentines and foreigners alike honor her with flowers, letters and rosaries.

According to Castro’s mother, 56-year-old Andrea Vellesi, Evita is a sensitive topic because their family is going through a difficult time. ‘I have never been in such anguish,’ Vellesi said about economic measures that Milei recently decreed and that she claims hurt her business.

Victor Biscia, 36, says that he doesn’t keep photos of Evita at home, but he does have images of the late President Nestor Kirchner and his wife and successor Cristina Fernandez, another Peronist couple that prompts devotion and resentment among Argentines.

‘They were key to achieving rights that are being curtailed by the current government,’ said Biscia, who thinks of Fernandez as a sort of 21st century Evita.

‘She reflects a lot of what we are as Argentines,’ says Gimena Villagra, 27, standing next to Evita’s tomb. ‘I don’t think there’s anyone for whom she doesn’t mean something.’

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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