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Experts at Xposure 2024 showcase next era of technical screen marvels on how we make, see films

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SHARJAH, 3rd March, 2024 (WAM) — This weekend, the Xposure International Photography Festival hosted an exciting panel discussion themed “The Unreal Future of Film”, where leading film industry figures delved into the realm of virtual production, Extended Reality (XR), and the innovative Unreal Engine, the world’s most open and advanced real-time 3D creation tool for photoreal visuals and immersive experiences.

The session offered a unique glimpse into the cutting-edge technologies shaping the future of storytelling and content creation. The filmmakers and industry executives on the panel, each with a wealth of experience and insights, included Olivier Geyhsen, a filmmaker and XR artist known for his pioneering work integrating technology into storytelling; Siraj Jhaveri, a director with over three decades of experience, known for his dynamic visual style; Bartosz Jankowski, an experienced producer and screenwriter specialising in audiovisual event production and Virtual Production technology; and Bora Batur, a production designer with nearly two decades of experience in visual storytelling and set design.

The session kicked off with an exploration of virtual production, with Jhaveri providing insights into merging the physical and digital worlds. Discussing the process, he highlighted the ability to create immersive environments where the physical meets the digital seamlessly. “Virtual elements are added to existing footage, allowing for changes in not only specific objects, but settings, backgrounds and locations,” Jhaveri said.

Geyhsen highlighted the opportunities presented by virtual production, letting filmmakers transport audiences to previously unimaginable worlds. “Virtual production enables ‘shooting’ in locations that don’t exist in real life. Places that are difficult to access can be reconstructed in 3D. This opens possibilities for ‘shooting’ in multiple venues within a short timeframe,” he said.

Jankowski shed light on the technical aspects of virtual production, particularly the importance of meticulous planning and efficient execution. Virtual production can be cost-effective but needs thorough pre-production, he said. “Pre-production is crucial in determining the feasibility of shooting in virtual production. While it is possible to shoot most things using VP, the level of pre-production planning varies depending on the project’s requirements,” he noted.

Batur highlighted how virtual production is redefining the traditional filmmaking pipeline. The art department must be involved early in the process – rather than at the post-production stage – to ensure seamless integration between the physical and virtual elements. “Decisions that used to be made at the end of production are now happening earlier, requiring changes in workflow and personnel. Seamless collaboration between departments is crucial for success,” Batur said.

Jhaveri pointed out that “many shots involve computer-generated (CG) elements, requiring extensive pre-production to ensure everything runs smoothly during the shoot. This additional pre-production time is essential for successful virtual production. There is also a latency period as new technologies emerge, so we are playing a catch-up game here – as soon as we have one technology we are using on stage, there is another one being released.”

All four filmmakers agreed on collaboration and communication in virtual production, particularly the need for a standardised pre-visualisation process and the growing potential of AI technology in streamlining production workflows. “AI could become a standard tool in virtual production workflows, streamlining processes and enhancing efficiency,” Jankowski said.

But despite technological advancements, storytelling remains the focus, Batur pointed out.

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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