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How a Spanish Newspaper Tackled the Taboo of Church Abuse

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Madrid – Five years ago, Soledad Gallego-Diaz challenged Spain’s last great taboo: sexual abuse inside the Roman Catholic Church.

The newly appointed editor of the left-leaning daily El Pais launched an investigation into allegations of abuse by clergy and lay people against children.

Unlike in the United States, Ireland and France, the Spanish Church had not sought to address this issue.

Echoing The Boston Globe’s 2002 investigation of child abuse in the Catholic Church, El Pais’ probe sought justice for survivors of abuse.

‘I realized that the church was not going to do anything, unlike in the U.S. and Ireland. It had no intention to do anything. It was going to carry on covering up those cases that it knew about. It was the moment to find out the truth,’ Gallego told VOA.

Five years after the paper launched its investigation, Spain’s ombudsman published a report estimating that more than 200,000 children suffered sexual abuse from some members of Spain’s Catholic clergy.

The 700-page report, published October 27, is the first national independent report on this issue.

Gallego said she believed the government ordered the ombudsman’s report because of the ‘enormous’ public reaction to the paper’s investigation.

Inigo Dominguez, one of two journalists who worked on the investigation from the start, said no other media were covering this issue when El Pais started.

‘No other media decided to investigate. It was a deliberate decision. So, El Pais was very alone,’ he told VOA.

Their work started shortly after the release of the movie ‘Spotlight,’ about The Boston Globe investigation.

As the first step in the investigation, El Pais published an email for people to contact the newspaper in confidence. The inbox soon was flooded with people who wanted to tell their stories of abuse.

Personally, the work has been very tough for the journalists involved, Dominguez said.

‘Psychologically, to listen to all these terrible stories, it has put you in contact with human evil. These people have never had anyone to listen to them,’ he said.

‘When they speak to a journalist, you realize that it is their last hope. You realize that you cannot fail, because it is their last hope.’

But their reporting has gone some way to achieving justice.

Angel Gabilondo, the Spanish ombudsman, spoke of the ‘devastating impact’ on victims, and criticized the church for its inaction and attempts to cover or deny the abuse.

‘What has happened has been possible because of that silence,’ he told a press conference.

The ombudsman report is the result of interviews with 8,000 members of the public.

It found that 0.6% of the country’s adult population of roughly 39 million people said they had suffered sexual abuse as children by members of the clergy.

That percentage rose to 1.13% when it included abuse by lay people, making the potential number of victims about 400,000.

The Spanish Bishop’s Conference apologized to survivors of sexual abuse by priests but questioned the accuracy of the survey that suggested such abuse was far more widespread than previous smaller investigations have found, Reuters reported.

The church’s ruling body expressed its ‘pain for the damage caused by some church members with the sex abuses and repeated their request to the victims for forgiveness.’

Francisco Garcia, Episcopal conference secretary general, said the church would contribute to a compensation fund but it would have to involve general educational institutions, sports associations and other organizations because abuse happened there too, and not just in the church.

Gallego, who was editor of El Pais from 2018 to 2020, said she has mixed feelings about the ombudsman report.

‘On one hand, it was a relief that a state body, with all the resources at its disposal which are far superior to a newspaper, was uniting all the data and analyzing them. On the other, unhappiness that even the ombudsman was unable to get most bishops to answer his questions. The church hierarchy continues to believe that no one can investigate it,’ Gallego told VOA.

Gallego said the paper’s investigation had revealed more than 2,000 victims and over 1,000 alleged abusers.

The number of reporters increased on the team in the early years of the investigation but has fluctuated throughout.

And the paper is still investigating under current editor Pepa Bueno.

‘The church tried to control the media. I wanted to give a voice to the victims,’ she said.

‘I hope that Pope Francis, who has pledged to repair the damage, will ensure those priests who have been investigated do not have any more contact with children and are dealt with through the courts.’

Despite falling attendance and the Catholic Church’s influence waning in society, at least 60% of Spaniards describe themselves as Catholic, according to a 2021 survey.

Spanish Prime Minister Pedro Sanchez said the ombudsman’s findings were a ‘milestone’ in the country’s democracy.

‘We are a better country because a reality that everyone knew about for many years but nobody talked about has been made known,’ he said.

Dominguez of El Pais said trying to raise the issue of sexual abuse presented journalistic problems.

‘These stories are hard to publish because they are often just one person’s word against another,’ he said.

The El Pais investigation was recognized with an Association of Investigative Journalists award this year.

The jury that presented the award said the paper had formed ‘the first and only database of this type of cases in the Spanish Catholic Church.’

‘The work of El Pais has also served to give voice to the victims, who have found a channel to bring out and share their suffering. This work represents, therefore, a clear exercise of journalistic responsibility,’ the jury said.

Antonio Rubio, president of the Association of Investigative Journalists, told VOA, ‘It is a work which tries to change something which is the basis of objective investigative journalism.’

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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