In the USSR, American Westerns were recreated in their own way. The prairies were replaced by a steppe or desert, while the movies featured Red Army soldiers instead of cowboys.
The ‘Western’ genre literally took the whole world by storm in the mid-20th century. Hollywood movies about dashing cowboys, sly gangsters and ruthless Indians of the ‘Wild West’ frontier in North America were binge-watched in many countries, in some of which attempts were made to film something similar.
The most successful in this were Italians with their so-called ‘spaghetti Westerns’. Some ‘red Westerns’ from socialist bloc countries, primarily from the GDR, were also quite popular.
Similar movies were also made in the USSR. However, they decided to revisit the Western genre in their own way: the setting of the Wild West in the second half of the 19th century was “relocated” to Russia during the time of the Civil War, while the prairies were replaced by the Siberian taiga, South Russian steppes and the deserts of Central Asia.
This is how the so-called ‘Eastern’ genre was born, in which there were chases, shootouts with thugs and, of course, the hunt for gold, except that the cowboys were replaced by “brave” Red Army soldiers and and the Indians by the dastardly opponents of Soviet power – White guardsmen or Central Asian Basmachi fighters.
Although the term ‘Eastern’ was not officially used in the USSR, several dozen movies were made in this genre. Below is our pick of the best three.
1. ‘The Elusive Avengers’ (1967)
Trokhachev/Sputnik
The year 1920. The south of Russia is plagued by the Civil War. Four teenagers, dreaming of serving in the Red Army, clash with the anarchist Cossacks of Ataman Gnat Burnash.
‘The Elusive Avengers’ was filmed according to the canons of the classic western with shootouts, chases and the classic scene of drunken thugs shooting bottles and mugs in a pub.
V.Maneshin/Sputnik
Many of the stunts were performed by the young actors starring as the avengers themselves and since there were not enough people on the set, they even had to disguise themselves as Burnash’s Cossacks and chase themselves!
The movie had two sequels: ‘The New Adventures of the Elusive Avengers’ (1968) and ‘The Crown of the Russian Empire or The Elusive Avengers Again’ (1971).
You can watch the movie with English subtitles here.
2. ‘White Sun of the Desert’ (1969)
Sputnik
The early 1920s. A small village on the eastern coast of the Caspian Sea, which is terrorized by a gang of Black Abdullah’s Basmachi fighters. Nobody dares to fight back against the gangsters, until a Red Army soldier named Fyodor Sukhov makes an appearance.
The shooting of the movie was lengthy and hard. Film officials constantly criticized certain scenes, demanding that they be removed or reshot. Even after the end of the filming, they did not allow ‘White Sun of the Desert’ to come out on screens.
V.Maneshin/Sputnik
At that point, Leonid Brezhnev, the country’s leader and a big fan of westerns himself, intervened. The movie was subsequently released, eventually becoming a nationwide hit.
For Russian (as once for Soviet) cosmonauts, ‘White Sun of the Desert’ is considered a real gem. It is said that they watch it on the eve of every launch and take a copy with them into space. Superstition is that, thanks to this, the flights pass safely.
V.Maneshin/Sputnik
You can watch the movie with English subtitles here.
3. ‘At Home Among Strangers’ (1974)
Southern Russia in the first years after the end of the Civil War. A group of White guardsmen carries out an attack on a train which the Bolsheviks are using to transport gold. However, they do not have time to rejoice at their loot – they themselves are robbed by Cossack Esaul Brylov’s gang.
Director Nikita Mikhalkov, 1974/Mosfilm
Yegor Shilov, an employee of the Soviet special services, goes in search of the gold that is lost in the turmoil. His assignment is complicated by the fact that his colleagues believe he is himself involved in the robbery.
‘At Home Among Strangers’ was the debut work for Nikita Mikhalkov, who later became famous for the drama ‘Burnt by the Sun’, which won the 1994 Academy Award. In the movie, he also plays the role of the charming villain Brylov, whose character was inspired by ‘spaghetti Westerns’ starring Clint Eastwood.
Director Nikita Mikhalkov, 1974/Mosfilm
The budding director was allocated too little deficit color film, so, some of the scenes were shot in black and white. As a result, this division became a distinctive feature of the motion picture.
‘At Home Among Strangers’ was, in part, filmed in the Russian republic of Chechnya, while some of the members of the esaul’s gang were even played by locals. Mikhalkov recalled that before the production started, they came up to him and asked: “Will you give us weapons or shall we bring ours?”
Director Nikita Mikhalkov, 1974/Mosfilm
You can watch the movie with English subtitles here.
Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.
The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.
The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.
Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.
The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.
Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.
The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.
A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.
More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.
“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”
A World-Class Team Behind the Curtain
The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.
A Story That Speaks to a Generation
At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.
The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.
A City-Wide Movement
With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:
● Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the
Emirates, Tilal Al Ghaf, GEMS Education, and more
● Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail
stores, and dedicated social media campaigns
● Youth engagement: Auditions and showcases for students across GEMS schools,
opening the stage to the next generation of performers
The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.
Exclusive Ticket Sale
Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.
🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.
In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.
The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”
“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”
For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”
The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.
The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.
A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.