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Alien invasions, a lesbian road movie and tropical architecture

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This article was first published in our email newsletter Something Good, which every fortnight brings you a summary of the best things to watch, visit and read, as recommended and analysed by academic experts. Click here to receive the newsletter direct to your inbox

Here’s a winning equation for you. The creators of Game of Thrones adapting one of the most celebrated authors of Chinese science fiction, whose books are beloved by fans including Barack Obama and Mark Zuckerberg. No wonder 3 Body Problem looks set to be one of the biggest Netflix shows of the year.

Based on Liu Cixin’s Remembrance of Earth’s Past trilogy, the series begins amid China’s Cultural Revolution in the mid-1960s. But it soon moves to the present day, where several top scientists have mysteriously committed suicide. What unfolds is an alien invasion story with a twist, as scientists and officials race to protect human civilisation from the incoming Trisolarans.

Mia Chen Ma, an expert in Chinese sci-fi, has been “captivated” by the eight-part series, which is released today. She is particularly impressed by Netflix’s willingness to get stuck into the big philosophical questions at the heart of Liu’s novels. If a technologically superior alien civilisation were to invade Earth – a planet already plagued with ecological destruction and human conflict – how should we respond? Is humanity worth saving? Is saving ourselves even possible?

As our author explains, the show offers a range of answers. But ultimately, its mix of intrigue and open-ended storytelling encourages viewers to draw their own conclusions.

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3 Body Problem: Netflix adaptation of Liu Cixin’s alien invasion trilogy is captivating

Lesbians have had a rough ride at the cinema. For nearly 40 years between 1930 and 1966, the Hays Code (strict censorship guides imposed on filmmakers) only allowed depictions of the “sexual perversion” of lesbianism if shown in a negative light. The film lesbians of these years (in movies such as Dracula’s Daughter, Rebecca and The Children’s Hour) were murderous, farcical, or rebels sorely in need of reform.

Thankfully, there has been change in recent times. Historical dramas like Carol (2015), Ammonite (2020) and my personal favourite, Portrait of a Lady on Fire (2019) have all shown tender love stories between women. But as touching and refreshing as these portrayals of women in love are, they’re all rather sad. So, I was cheered to read Deborah Shaw’s review of Drive-Away Dolls.

“Odd couple” friends Jamie (Margaret Qualley) and Marian (Geraldine Viswanathan) take a road trip in a hired car. Jamie wants to visit as many lesbian bars as possible, in a quest to cheer up Marian, who has just split with her girlfriend. Unbeknownst to them, the friends are driving a car with a mysterious suitcase in the boot and soon they’re being pursued by hapless thugs. This brainchild of Ethan Coen and his wife Tricia Cooke (a queer woman herself) is a lesbian road movie that will make you laugh, rather than tugging on your heart strings.

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Drive-Away Dolls: overturning the bad, sad and tragic stereotypes of lesbians in film

A film that’s always managed to make me laugh and cry in equal measure is Michel Gondry’s masterpiece Eternal Sunshine of the Spotless Mind, which turned 20 this week. I’ve rewatched the movie several times in recent years, and it somehow brings out a new emotion in me with every viewing.

This week, it was the scene where Joel (Jim Carrey) and Clementine (a blue-haired Kate Winslet) meet in his memories as children that got me. Especially the moment when she steps in to protect him from the childhood bullies that he faced alone in real life.

For Jane Steventon, the film is an unflinching meditation on love and memory. And it was shockingly prescient. A movie about a man erasing the memories of an ex-lover takes on a whole new resonance in our social media age, when the photos of and posts about a previous relationship can be deleted with the touch of a button.

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Eternal Sunshine of the Spotless Mind at 20: an unflinching meditation on love and memory

Despite his fame today, the artist and poet William Blake was relatively unknown in his time. This meant he couldn’t afford to travel widely, as many of his more successful contemporaries did. In fact, Blake never left Britain. But he was certainly interested in Europe. He read the works of Dante in Italian and translations of German philosophers such as Jakob Bhme and Swedish theologians like Emanual Swedenborg.

So, a new exhibition at the Fitzwilliam Museum in Cambridge that shows Blake’s art and poetry alongside that of his European contemporaries feels like retroactive justice.

His beautiful hand-printed poem, Europe, and his energetic reinterpretations of ancient Greek sculptures take on new life when displayed alongside the artists who really lived and worked in these locations. The show expands Blake’s personal creative universe, reframing it as part of a shared imaginative and cultural space. That this exhibition figuratively takes Blake – and visitors – on a journey across Europe, is something very special.

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William Blake exhibition: making a European out of the poet and artist who never left England

Tropical Modernism: Architecture and Independence, now open at London’s V&A, showcases the legacy of tropical modernism in Ghana and India. This style of architecture was developed specifically for tropical climates, resulting in grand, elaborate structures that provide optimal ventilation and minimise solar heat gain.

Our reviewer, Adefolatomiwa Toye, who is writing a PhD on tropical modernism, was impressed. The show challenges the Eurocentric stories that are often told about these designs and spotlights the architects and labourers from India and Ghana who helped to create some of their country’s most iconic buildings.

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Tropical Modernism: Architecture and Independence at V&A reintroduces Indian and Ghanaian pioneers of the style

Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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