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Bobby Knight, Indiana’s Combustible Coaching Giant, Dies at Age 83

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BLOOMINGTON, Indiana – Bob Knight, the brilliant and combustible coach who won three NCAA titles at Indiana and for years was the scowling face of college basketball, has died. He was 83.

Knight’s family made the announcement on social media on Wednesday night.

‘It is with heavy hearts that we share that Coach Bob Knight passed away at his home in Bloomington surrounded by his family,’ the statement said. ‘We are grateful for all the thoughts and prayers and appreciate the continued respect for our privacy as Coach requested a private family gathering, which is being honored. We will continue to celebrate his life and remember him, today and forever as a beloved Husband, Father, Coach, and Friend.’

Knight was among the winningest coaches in the sport, finishing his career with 902 victories in 42 seasons at Army, Indiana and Texas Tech. He also coached the U.S. Olympic team to a gold medal in 1984.

The Hall of Famer cared little what others thought of him, choosing Frank Sinatra’s ‘My Way’ to celebrate his 880th win in 2007, then the record for a Division I men’s coach.

He was nicknamed ‘The General’ and his temper was such that in 2000 it cost him his job at Indiana. He once hit a police officer in Puerto Rico, threw a chair across the court and was accused of wrapping his hands around a player’s neck.

His critics fumed relentlessly about his conduct, but his defenders were legion. There was this side of Knight as well: He took pride in his players’ high graduation rates, and during a rule-breaking era he never was accused of a major NCAA violation.

At Indiana, he insisted his base salary not exceed that of other professors. At Texas Tech, he sometimes gave back his salary because he didn’t think he earned it.

Knight expected players to exceed expectations on the court and in the classroom. He abided by NCAA rules even when he disagreed with them, never backed down from a dust-up and promised to take his old-school principles to the grave.

His disposition and theatrics, however, often overshadowed his formidable record, tactical genius and dedication to his players and the game, leaving behind a singular resume.

‘He changed basketball in this state, the way you compete, the way you win,’ Steve Alford, the leader of Knight’s last national championship team in 1987, once said. ‘It started in Indiana, but he really changed college basketball. You look at the motion offense and people everywhere used it.’

Long esteemed for his strategy and often questioned for his methods, Knight reveled in constructing his best teams with overachievers. As a hard-to-please motivator, he clung to iron principles, and at 6-foot-5 was an intimidating presence for anyone who dared cross him.

When Knight retired in 2008, he left with four national championships (one as a player at Ohio State) and as the Division I men’s record-holder in wins. He coached everyone from Mike Krzyzewski to Isiah Thomas to Michael Jordan. His coaching tree included Krzyzewski, who broke Knight’s wins record; Alford; Lawrence Frank, Keith Smart, Randy Wittman and Mike Woodson, Indiana’s current coach, among others.

‘I have molded everything we do from practices to academics to community service and even how you should represent the school from that time,’ Alford said. ‘Coach Knight had a lot to do with that.’

Robert Montgomery Knight was born Oct. 25, 1940, in Massillon, Ohio. His mother, whom Knight credited as his strongest childhood influence, was a schoolteacher and his father worked for the railroad.

Hazel Knight seemed to understand her son’s temperament. Once, when Indiana was set to play Kentucky on television, two of Knight’s high school classmates ran into her at a grocery store and asked if she was excited about the game, according to his biography, ‘Knight: My Story.’

‘I just hope he behaves,’ his mother remarked.

He played basketball at Ohio State, where he was a reserve on three Final Four teams (1960-62). He was on the 1960 title team that featured Jerry Lucas and John Havlicek, two future Basketball Hall of Famers.

After a year as a high school assistant, Knight joined the staff of Tates Locke at West Point. In 1965, he took over as head coach at age 24. In six seasons, coaching the likes of Krzyzewski and Mike Silliman, his teams won 102 games and it was off to Indiana in 1971.

Knight quickly restored the Hoosiers’ basketball tradition with a revolutionary offense and an almost exclusively man-to-man defense. Most opponents struggled against his early Indiana teams, with the Hoosiers going 125-20 and winning four Big Ten Conference crowns in his first five seasons.

The run concluded with Indiana’s first national championship in 23 years. That 1975-76 team went 32-0, ending a two-year span when the Hoosiers were 63-1 and captured back-to-back Big Ten championships with 18-0 records. It remains the last time a major college men’s team finished with a perfect record. That team was voted the greatest in college basketball history by the U.S. Basketball Writers Association in 2013.

Knight won his second title in 1981, beating Dean Smith’s North Carolina team after NCAA officials decided to play the game hours after President Ronald Reagan was shot and wounded earlier in the day. His third title at Indiana came in 1987 when Smart hit a baseline jumper in the closing seconds to beat Syracuse, one of the most famous shots in tournament history.

Knight spent five decades competing against and usually beating some of the game’s most revered names – Adolph Rupp, Smith and John Wooden in the early years; Krzyzewski, Rick Pitino and Roy Williams in later years.

The Olympic team he coached in Los Angeles in 1984 was the last amateur U.S. team to win gold in men’s basketball. And, to no surprise, it came with controversy. Knight kept Alford on his team while cutting the likes of future Hall of Famers Charles Barkley and John Stockton.

But winning and winning big was only part of Knight’s legacy. He would do things his way.

Other big-time coaches might follow the gentlemanly, buttoned-up approach, but not Knight. He dressed in plaid sport coats and red sweaters, routinely berated referees and openly challenged decisions by NCAA and Big Ten leaders. His list of transgressions ran long:

  • Knight was convicted in absentia of assaulting a Puerto Rican police officer during the 1979 Pan American Games.
  • He forfeited an exhibition game to the Soviet Union in 1987 when he pulled his team off the court after being called for a third technical foul.
  • He told NBC’s Connie Chung in a 1988 interview, ‘I think that if rape is inevitable, relax and enjoy it.’ Knight was answering a question about how he handled stress and later tried to explain he was talking about something beyond one’s control, not the act of rape.
  • He was accused of head-butting one player and kicking his own son, Pat, during a timeout.
  • At a 1980 news conference he fired a blank from a starter’s pistol at a reporter. During the 1992 NCAA Tournament, Knight playfully used a bull whip on star player Calbert Cheaney, who is Black.

His most famous outburst came Feb. 23, 1985, when Purdue’s Steve Reid was about to attempt a free throw. A furious Knight picked up a red plastic chair and heaved it across the court, where it landed behind the basket. Fans started throwing pennies on the court, one hitting the wife of Purdue coach Gene Keady. Reid missed three of his next six ensuing free throws.

‘There are times I walk into a meeting or a friend calls to say, ‘I saw you on TV last night,” Reid said on the 20th anniversary of the incident. ‘I know what they’re talking about.’

Knight apologized the next day, received a one-game suspension and was put on probation for two years by the Big Ten. Intent on preventing such a thing again, Indiana officials chained together the chairs for both benches.

FILE – This Feb. 23, 1985, file photo shows Indiana coach Bob Knight winding up and pitching a chair across the floor during Indiana’s 72-63 loss to Purdue, in Bloomington, Ind.

The iconic black-and-white photo of the incident remains a classic for Hoosiers fans and even became fodder for a television commercial with one of his old coaching rivals, former Notre Dame coach Digger Phelps. Knight for years joked he was merely attempting to toss the chair to a woman looking for a seat.

Fifteen years after the chair toss, Knight’s temper led to his downfall in Bloomington. Video surfaced of Knight allegedly putting his hands around the neck of player Neil Reed during a 1997 practice, a charge that prompted Indiana President Myles Brand to put Knight on a zero-tolerance policy following a university investigation.

Then, on Sept. 10, 2000, after winning a school-record 662 games and 11 Big Ten titles in 29 seasons, his time at Indiana came to a shocking end. While passing Knight in an Assembly Hall corridor, Indiana student Kent Harvey said, ‘Hey, what’s up, Knight?’ Knight considered it disrespectful, grabbed Harvey’s arm and lectured him about manners. A few days later, Brand fired Knight.

Students protested by tearing down a goal post at the football stadium, ripping a dolphin statue off a fountain and hanging Brand in effigy outside his home. Knight publicly condemned Brand’s leadership. Brand became NCAA president in 2002 and died in 2009 at 67 while still on the job. Neil Reed died in 2012 after collapsing in his California home. He was 36.

In 2003, he lashed out profanely after an ESPN reporter asked about his relationship with Alford, then the Iowa coach. The following year Knight received a reprimand after a verbal dust-up with David Smith, then the Texas Tech chancellor, as the two men stood at a grocery store salad bar.

He still won, too. In his first six years in West Texas, Knight led the Red Raiders to five 20-plus win seasons, a feat never previously achieved at the school. On Jan. 1, 2007, Knight won his 880th career game, breaking Dean Smith’s record with a win over New Mexico. Krzyzewski topped Knight’s mark in 2011, with his mentor broadcasting the game for ESPN.

For nearly two decades, Indiana officials attempted to make peace. Knight refused, even skipping his induction into the school’s athletic Hall of Fame in 2009.

‘I hope someday he will be honored at Indiana. That needs to happen. Somebody needs to make that happen,’ Scott May, a starter on Knight’s 1976 championship team and an outspoken critic of Knight’s firing, pleaded as Knight stayed away. ‘I think they should name Assembly Hall after him.’

The ice finally broke in February 2020, a few months after Knight bought a new house in Bloomington. His first public appearance at Assembly Hall since the firing came at halftime of the Hoosiers’ game against rival Purdue.

Billed as a reunion between the coach and many of his former players, the halftime celebration became a sustained roar for The General. May and Quinn Buckner, who also played on Knight’s first title team, helped the aging coach – no longer steady on his feet – walk onto the court.

‘When he moved back here, I knew he was in a good place,’ said Wittman, who played on the 1981 national champs. ‘I knew he was happy here, living, and I told him you belong here.’

Knight didn’t speak to the crowd that day. It spoke to him.

‘We love you, Bobby,’ one fan shouted during a brief pause from the crowd, a scene that brought the steely Knight to tears.

Away from the court, Knight was an avid golfer who loved to read, especially history, and donated generously to school libraries at Indiana and Texas Tech. He would vacation in far-flung places to hunt and fish with family or friends such as baseball great Ted Williams or manager Tony La Russa.

Knight also made a cameo appearance in the 2003 movie ‘Anger Management’ with Adam Sandler. In 2006, he starred in ‘Knight School,’ an ESPN reality show in which 16 Texas Tech students vied for the chance to walk on to his team the following season.

A month after leaving Tech, Knight, who often lashed out at reporters, joined ESPN as a guest studio analyst during the 2008 NCAA Tournament. The next season, he expanded his role as a color commentator. The network parted with Knight in 2015.

He returned to public view in 2016, campaigning for Republican presidential candidate Donald Trump in 2016 and kept a mostly low profile until returning to the campus where he became a household name.

‘I was standing there, and he was coach Knight,’ Wittman said, referring to Knight’s pregame speech in February 2020. ‘It was like he hadn’t left that locker room. The words he gave to those players before they went out on the floor, it was fabulous.’

Survivors include wife Karen and sons Tim and Pat.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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