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Russia Orders RFE/RL Journalist Detained Until February

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A Russian court on Friday ordered American Russian journalist Alsu Kurmasheva to remain in custody until February 5.

The editor for the Tatar-Bashkir Service of Radio Free Europe/Radio Liberty, or RFE/RL, has spent 45 days in prison on accusations that she failed to register as a foreign agent. Kurmasheva denies the charge.

RFE/RL acting president Jeffrey Gedmin said in a statement that Kurmasheva’s “unjust, politically motivated detention has been extended,” and he called for Russia to free the journalist and grant her consular access under her rights as a U.S. citizen.

Kurmasheva had traveled to Russia in May for a family emergency. When she tried to leave, authorities confiscated her passports. Then, on October 18, she was arrested and accused of failing to register as a foreign agent.

Earlier this week, Kurmasheva’s husband, Pavel Butorin, spoke with VOA about her case and why he believes Russia is detaining his wife.

Butorin is the director of Current Time TV, a Russian-language TV and digital network led by RFE/RL in partnership with VOA.

He has called on the U.S. to designate Kurmasheva wrongfully detained, saying doing so will release other resources to help free her.

This interview has been edited for clarity and brevity.

VOA: There are a lot of repressions now against Russian journalists in Russia. What makes Alsu Kurmasheva’s case unique?

Pavel Butorin, Director of Current Time TV: It is no secret that reporting [on] Russia independently has become an endangered profession. But I think it’s especially dangerous now for American journalists to work inside Russia. I’m convinced that Alsu’s being targeted because she’s an American citizen and because she is a journalist for Radio Free Europe/Radio Liberty.

She is held in a cold prison cell exactly for that reason – because she had the courage to report on what’s going on inside Russia, what’s going on with ethnic minorities inside Russia.

VOA: What do you know about the conditions in the prison?

Butorin: Communication that we receive from Alsu is censored, so we cannot be certain that she receives the attention and the treatment that she deserves. We know that her prison cell is cold. Sometimes it gets overcrowded. It isn’t a pretrial detention facility, but it is a Russian jail.

She does send us letters that are upbeat and optimistic. Make no mistake. She is held by a penitentiary system that is notorious for its mistreatment of political prisoners. She shouldn’t be in that jail.

VOA: When she was first detained in June, she was released but then detained again. Why did they need such a scenario?

Butorin: Well, I can’t get into their heads, but I can only speculate that they were building a bigger case against Alsu.

She was first detained and charged for failure to report her American citizenship, which is now a criminal offense in Russia. They dragged this case out for several months, and eventually, in early October, a judge issued a relatively small fine.

But before she was able to pay the fine, they came after [her], arrested her and charged her for now with a more serious offense, with failure to register as a so-called foreign agent, an absurd charge that she denies.

VOA: In your opinion, is Alsu’s coverage of ethnic minorities and culture and language related to her case?

Butorin: I don’t have the details of her case, but it’s quite likely that her coverage of the plight of ethnic minorities in Russia has played a role in this.

Alsu is primarily a journalist, not necessarily an activist, but she has been a very strong proponent of and enthusiast for culture and the Tatar language. Honestly, I can’t think of another person who is as passionate about a culture as Alsu. She has been involved in, and you know, spreading awareness about her Tatar culture.

VOA: What is the most important thing to do to help Alsu right now?

Butorin: Right now, letters are really the biggest lifeline for Alsu in detention. She very much appreciates the support that she’s been receiving.

She receives a lot of letters from people that she doesn’t know, from complete strangers, who share their life stories with her and even recount movie plots. So that’s a big help.

But on the diplomatic front, we would like to see more involvement from the United States government and from other parties, as well from the European Union and from human rights organizations.

There is no doubt in my mind that the reason for her detention is her American citizenship and her work for Radio Free Europe/Radio Liberty.

I think Alsu must be designated as a wrongfully detained person. I think she meets most, if not all, of the criteria.

This interview originated in VOA’s Russian Service.

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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