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Russia Orders RFE/RL Journalist Detained Until February

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A Russian court on Friday ordered American Russian journalist Alsu Kurmasheva to remain in custody until February 5.

The editor for the Tatar-Bashkir Service of Radio Free Europe/Radio Liberty, or RFE/RL, has spent 45 days in prison on accusations that she failed to register as a foreign agent. Kurmasheva denies the charge.

RFE/RL acting president Jeffrey Gedmin said in a statement that Kurmasheva’s “unjust, politically motivated detention has been extended,” and he called for Russia to free the journalist and grant her consular access under her rights as a U.S. citizen.

Kurmasheva had traveled to Russia in May for a family emergency. When she tried to leave, authorities confiscated her passports. Then, on October 18, she was arrested and accused of failing to register as a foreign agent.

Earlier this week, Kurmasheva’s husband, Pavel Butorin, spoke with VOA about her case and why he believes Russia is detaining his wife.

Butorin is the director of Current Time TV, a Russian-language TV and digital network led by RFE/RL in partnership with VOA.

He has called on the U.S. to designate Kurmasheva wrongfully detained, saying doing so will release other resources to help free her.

This interview has been edited for clarity and brevity.

VOA: There are a lot of repressions now against Russian journalists in Russia. What makes Alsu Kurmasheva’s case unique?

Pavel Butorin, Director of Current Time TV: It is no secret that reporting [on] Russia independently has become an endangered profession. But I think it’s especially dangerous now for American journalists to work inside Russia. I’m convinced that Alsu’s being targeted because she’s an American citizen and because she is a journalist for Radio Free Europe/Radio Liberty.

She is held in a cold prison cell exactly for that reason – because she had the courage to report on what’s going on inside Russia, what’s going on with ethnic minorities inside Russia.

VOA: What do you know about the conditions in the prison?

Butorin: Communication that we receive from Alsu is censored, so we cannot be certain that she receives the attention and the treatment that she deserves. We know that her prison cell is cold. Sometimes it gets overcrowded. It isn’t a pretrial detention facility, but it is a Russian jail.

She does send us letters that are upbeat and optimistic. Make no mistake. She is held by a penitentiary system that is notorious for its mistreatment of political prisoners. She shouldn’t be in that jail.

VOA: When she was first detained in June, she was released but then detained again. Why did they need such a scenario?

Butorin: Well, I can’t get into their heads, but I can only speculate that they were building a bigger case against Alsu.

She was first detained and charged for failure to report her American citizenship, which is now a criminal offense in Russia. They dragged this case out for several months, and eventually, in early October, a judge issued a relatively small fine.

But before she was able to pay the fine, they came after [her], arrested her and charged her for now with a more serious offense, with failure to register as a so-called foreign agent, an absurd charge that she denies.

VOA: In your opinion, is Alsu’s coverage of ethnic minorities and culture and language related to her case?

Butorin: I don’t have the details of her case, but it’s quite likely that her coverage of the plight of ethnic minorities in Russia has played a role in this.

Alsu is primarily a journalist, not necessarily an activist, but she has been a very strong proponent of and enthusiast for culture and the Tatar language. Honestly, I can’t think of another person who is as passionate about a culture as Alsu. She has been involved in, and you know, spreading awareness about her Tatar culture.

VOA: What is the most important thing to do to help Alsu right now?

Butorin: Right now, letters are really the biggest lifeline for Alsu in detention. She very much appreciates the support that she’s been receiving.

She receives a lot of letters from people that she doesn’t know, from complete strangers, who share their life stories with her and even recount movie plots. So that’s a big help.

But on the diplomatic front, we would like to see more involvement from the United States government and from other parties, as well from the European Union and from human rights organizations.

There is no doubt in my mind that the reason for her detention is her American citizenship and her work for Radio Free Europe/Radio Liberty.

I think Alsu must be designated as a wrongfully detained person. I think she meets most, if not all, of the criteria.

This interview originated in VOA’s Russian Service.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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