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The legacy of the Sage of the Andes

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“… it is almost certain that one fine day a man of titanic soul will be born here – titans are the children of the mountains – who will write sovereign verses and will properly be the Ande that versifies.”

Jose Ortega y Gasset, Meditacion de la Criolla, 1939

And he had already been born, Don Jose, the year before your speech, only you could not know it. Mario Luis Rodriguez Cobos, who would later be known in these and other latitudes by the name by which he would go down in history, Silo, came into the world in Mendoza, Argentina, on the edge of those great and inspiring mountains in January 1938, and his body, faithful companion of his many wanderings, lay inert on 16 September seventy-two years later.

But what sense could there be in commemorating the death of the man who early on proclaimed “There is no meaning in life if everything ends in death”? The only reason with any coherent meaning is to highlight his work and legacy, which has undoubtedly transcended the individual and whose rays are projected without being tarnished in the least by the anecdotes of physical time.

However, highlighting a few of his experiences and proposals could dwarf his masterful contribution to the human species, while a necessary interpretative reduction could distort, in other eyes, his main message. Silo himself, aware of these issues, took it upon himself to alleviate the matter by placing his texts and reliable speeches on a site that we recommend visiting, as well as consulting his printed books published in different languages.

Having made these clarifications, we can freely comment on three aspects that we consider to be of fundamental importance in his legacy.

In the search for the deepest truths of the human being, in the investigation of the purpose of his existence, several mystics tried to go beyond the phenomenal world, going into the unveiling of essential mysteries. And, as if they were touching the bottom of a pond with their feet, the need to communicate their discoveries pushed them with force to the surface to share what they considered would improve human life.

Thus, the task to which Silo dedicated his life, and which forms an irreplaceable part of his legacy, is that of delving into, understanding and overcoming all the factors that generate pain and suffering in and around us. As he explained on numerous occasions, external violence with its multiple modalities and the internal violence produced by contradiction, intimately linked by subtle threads, are today the main stumbling block to be removed.

In a historical time that has dissociated subjectivity from the object, separated energetic expression from material expression, compartmentalised the spiritual and the political as separate realms – perhaps to ensure the feudal domination of some actor in them – it is a moral imperative to recompose the lost unity and restore to the peoples the capacity to move through this unique and indissoluble space with a creative sense.

Rebellion in the face of determination

In a significant passage of his book “Humanise the Earth”, Silo states: “I will not accept at my side those who project a transcendence out of fear, but those who rise up in rebellion against the inevitability of death”.

This attitude of rebellion against the given, the factual, together with the capacity of the human being to find creative ways out of the various enclosures and apparent conditionings, is a central component of his doctrine.

In relation to the supposedly natural and determined condition, Silo is emphatic and enlightening when he points out in his essay ” Regarding what is Human”: “In the human being there is no human “nature”, unless this “nature” is considered as a capacity different from the animal one, of moving between times outside the horizon of perception. In other words: if there is something “natural” in the human being, it is not in the mineral, vegetable or animal sense, but in the sense that what is natural is change, history, transformation.”

“Such an idea of change” – he goes on to say – “does not conveniently fit in with the idea of “nature” and therefore we prefer not to use the latter word as it has been used, and with which numerous disloyalties to the human being have been justified.”

In this way, when observing today a certain almost “ritual” devotion to the “laws” of the natural ambit and in the face of certain voices that blame the human race (and not the mechanisms of the capitalist system itself) for the current environmental degradation, the affirmation of the human capacity and need to transform its environment becomes a banner of rebellion against the regressive conservationist clamour, which omits the calamities that the species had to and still has to face due to external and its own natural conditioning factors.

The guides who traced evolutionary paths for humanity spoke to their peoples from their historical and cultural circumstances. This fact, perhaps necessary to connect with the feelings and needs of the people, later collided with others when they tried to spread the messages, causing violence and imposition.

From its very roots, Silo shares his message with a clear intention of universality, respecting the cultural translations that each people can produce and at the same time will be a convergence towards essential values and experiences, proper to the same human species, whatever its geographical and cultural condition.

The characteristic of free interpretation expressed by himself in relation to the possible experiences derived from his teaching, on the other hand, makes his doctrine permeable to the human transformations of the future, an aspect absolutely coherent with his dynamic conception of the Human Being.

Universalist Humanism, as a social expression of his Message, also points to a project in accordance with the formation of the first fully interconnected civilisation in human history, promoting the image of a Universal Human Nation, inclusive and twinned with the purpose of tackling the challenges of the species in a united and collaborative way.

As we made clear at the beginning of this article, there are many more aspects to mention in Silo’s work, but as a collective executor of that legacy, these few lines suffice to affirm the validity, necessity and centrality of Silo’s proposal in a world that needs to open its future to new utopias.

Related to this, in a warm spirit of possibility and openness towards the future, and by way of testimony, we adhere to the following extract from the aforementioned essay by Silo:

“I love, then, the Human Being, his growing humanisation. And in moments of crisis of reification, in moments of dehumanisation, I love its possibility of future rehabilitation”.

Source: Pressenza

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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