London – Find a globe in your local library or classroom and try this: Close the eyes, spin it and drop a finger randomly on its curved, glossy surface.
You’re likely to pinpoint a spot in the water, which covers 71% of the planet. Maybe you’ll alight on a place you’ve never heard of – or a spot that no longer exists after a war or because of climate change. Perhaps you’ll feel inspired to find out who lives there and what it’s like. Trace the path of totality ahead of Monday’s solar eclipse. Look carefully, and you’ll find the cartouche – the globemaker’s signature – and the antipode (point diametrically opposed) of where you’re standing right now.
In the age of Google Earth, watches that triangulate and cars with built-in GPS, there’s something about a globe – a spherical representation of the world in miniature – that somehow endures.
London globemaker Peter Bellerby thinks the human yearning to “find our place in the cosmos” has helped globes survive their original purpose – navigation – and the internet. He says it’s part of the reason he went into debt making a globe for his father’s 80th birthday in 2008. The experience helped inspire his company, and 16 years later – is keeping his team of about two dozen artists, cartographers and woodworkers employed.
“You don’t go onto Google Earth to get inspired,” Bellerby says in his airy studio, surrounded by dozens of globes in various languages and states of completion. “A globe is very much something that connects you to the planet that we live on.”
Artists create a globe at a studio in London, Feb. 27, 2024.
Building a globe amid breakneck change?
Beyond the existential and historical appeal, earthly matters such as cost and geopolitics hover over globemaking. Bellerby says his company has experience with customs officials in regions with disputed borders such as India, China, North Africa and the Middle East.
And there is a real question about whether globes – especially handmade orbs – remain relevant as more than works of art and history for those who can afford them.
They are, after all, snapshots of the past – of the way their patrons and makers saw the world at a certain point in time. So, they’re inherently inaccurate representations of a planet in constant flux.
“Do globes play a relevant role in our time? If so, then in my opinion, this is due to their appearance as a three-dimensional body, the hard-to-control desire to turn them, and the attractiveness of their map image,” says Jan Mokre, vice president of the International Coronelli Society for the Study of Globes in Vienna.
Joshua Nall, Director of the Whipple Museum of the History of Science in Cambridge, says a globe remains a display of “the learning, the erudition, the political interests of its owner.”
How, and how much?
Bellerby’s globes aren’t cheap. They run from about 1,290 British pounds (about $1,900) for the smallest to six figures for the 50-inch Churchill model. He makes about 600 orbs a year of varying size, framing and ornamentation.
The imagery painted on the globes runs the gamut, from constellations to mountains and sea creatures. And here, The Associated Press can confirm, be dragons.
An artist paints a globe at a studio in London, Feb. 27, 2024.
Who buys a globe these days?
Bellerby doesn’t name clients, but he says they come from more socioeconomic levels than you’d think – from families to businesses and heads of state. Private art collectors come calling. So do moviemakers.
Bellerby says in his book that the company made four globes for the 2011 movie, “Hugo.” One globe can be seen in the 2023 movie “Tetris,’ including one, a freestanding straight-leg Galileo model, which features prominently in a scene.
‘A political minefield’
There is no international standard for a correctly drawn earth. Countries, like people, view the world differently, and some are highly sensitive about how their territory is depicted. To offend them with “incorrectly” drawn borders on a globe is to risk impoundment of the orbs at customs.
“Globemaking,” Bellerby writes, “is a political minefield.”
China doesn’t recognize Taiwan as a country. Morocco doesn’t recognize Western Sahara. India’s northern border is disputed. Many Arab countries, such as Lebanon, don’t acknowledge Israel.
Bellerby says the company marks disputed borders as disputed: “We cannot change or rewrite history.’
Speaking of history, here’s the ‘earth apple’
Scientists since antiquity, famously Plato and Aristotle, posited that the earth is not flat but closer to a sphere. (More precisely, it’s a spheroid – bulging at the equator, squashed at the poles).
No one knows when the first terrestrial globe was created. But the oldest known surviving one dates to 1492. No one in Europe knew of the existence of North or South America at the time.
An artist paints a globe at a studio in London, Feb. 27, 2024.
It’s called the “Erdapfel,” which translates to “earth apple” or “potato.’ The orb was made by German navigator and geographer Martin Behaim, who was working for the king of Portugal, according to the Whipple Museum in Cambridge. It contained more than just the cartographical information then known, but also details such as commodities overseas, marketplaces and local trading protocols.
It’s also a record of a troubled time.
“The Behaim Globe is today a central document of the European world conquest and the Atlantic slave trade,” according to the German National Museum’s web page on the globe, exhibited there. In the 15th century, the museum notes, ‘Africa was not only to be circumnavigated in search of India, but also to be developed economically.
“The globe makes it clear how much the creation of our modern world was based on the violent appropriation of raw materials, the slave trade and plantation farming,’ the museum notes, or “the first stage of European subjugation and division of the world.”
Twin globes for Churchill and Roosevelt during WWII
If you’ve got a globe of any sort, you’re in good company. During World War II, two in particular were commissioned for leaders on opposite sides of the Atlantic as symbols of power and partnership.
For Christmas in 1942, the United States delivered gigantic twin globes to American President Franklin Roosevelt and British Prime Minister Winston Churchill. They were 50 inches in diameter and hundreds of pounds each, believed to be the largest and most accurate globes of the time.
It took more than 50 government geographers, cartographers, and draftsmen to compile the information to make the globe, constructed by the Weber Costello Company of Chicago Heights, Illinois.
The Roosevelt globe now sits at the Roosevelt Library in Hyde Park, N.Y., and Churchill’s globe is at Chartwell House, the Churchill family home in Kent, England, according to the U.S. Library of Congress.
In theory, the leaders could use the globes simultaneously to formulate war strategy. “In reality, however,’ Bellerby writes, “the gift of the globes was a simple PR exercise, an important weapon in modern warfare.”
A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.
More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.
“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”
A World-Class Team Behind the Curtain
The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.
A Story That Speaks to a Generation
At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.
The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.
A City-Wide Movement
With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:
● Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the
Emirates, Tilal Al Ghaf, GEMS Education, and more
● Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail
stores, and dedicated social media campaigns
● Youth engagement: Auditions and showcases for students across GEMS schools,
opening the stage to the next generation of performers
The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.
Exclusive Ticket Sale
Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.
🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.
In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.
The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”
“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”
For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”
The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.
The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.
A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.
Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.
Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:
“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family, a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”
The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.
A National Treasure
In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.
Cause of Death
Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.
Career Highlights
Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.
Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.
A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.
Tributes Pour In
“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.
“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.
“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.
“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.