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5 Aussie musicals you might not have heard of

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When you think of great Aussie musicals, some key films from the 1990s and 2000s come to mind: Strictly Ballroom, Muriel’s Wedding, Moulin Rouge!, Bran Nue Dae and The Sapphires. These films are often framed as “reviving” the musical genre for Australian audiences, due in large part to their box-office success.

While certainly fantastic films, there is actually a long history of Aussie musicals that have been popular with cinema audiences since the 1930s.

There are 73 films that have been classified as a “musical” or containing musical elements by the National Film and Sound Archive. They include comedies, children’s and animated films, dramas, revues, backstage musicals, biopics, dance films, rock musicals, soundtrack films, television musicals and live concert films.

So where to begin? These are my top five Aussie musicals you may not have heard of but should definitely try to see.

These films represent just a snapshot of the rich history of musical cinema in Australia. They demonstrate how Australian cinema responds to international trends in musical cinema production, but also how it influences and innovates in the global musical genre.

These films are hard to get a hold of and only occasionally pop up on streaming services – if at all. However, you might catch them on DVD or at your local indie film festival or retrospective (there were several screenings of Starstruck when the NFSA released a digitally restored version in 2015).

Read more: Beyond La La Land: the top ten toe-tapping film musicals

1. Funny Things Happen Down Under

Olivia Newton-John’s 1965 debut feature, Funny Things Happen Down Under, directed by Joe McCormick, was an adaptation of the Terrible Ten children’s television show from 1959-60.

It’s Christmas time in the bush and a group of country children make a plan to save their woolshed, under threat because the sheep station has to be sold.

After they accidentally turn a goat’s wool multi-coloured because it drinks a strange concoction of Christmas pudding, flowers and fizzy water, they decide to feed it to the sheep to sell rainbow-coloured wool.

While certainly of its time (there is a scene that involves yellow face), the film has some great songs by Newton-John and New Zealand singer Howard Morrison, as well as an athletic final dance number around the shed called Click Go the Shears.

2. Oz

Directed by Chris Lofven, the 1976 film Oz (also known as Oz: A Rock ‘n’ Roll Road Movie, or 20th Century Oz on its release in the United States) is a version of The Wizard of Oz as a rock ‘n’ roll road movie set in the Australian outback.

Dorothy (Joy Dunstan) is hitchhiking to the city to see glam rocker The Wizard. Along the way she meets brainless surfie (Bruce “Stork” Spence) – the scarecrow – a mean mechanic (Michael Carman) – the tin man – and an overly confident bikie (Gary Waddell) – the lion.

Ross Wilson, the frontman of Daddy Cool and Mondo Rock, wrote and produced Oz’s musical score. The singles Livin’ in the Land of Oz by Wilson and Beating Around the Bush by Jo Jo Zep and the Falcons were both released in 1976 from the soundtrack.

Much like motorcycle road movie Easy Rider (1970), which had become a symbol of New Hollywood, Oz made a direct appeal to young audiences and the counterculture via a compilation soundtrack of contemporary popular music.

3. Starstruck

Gillian Armstrong’s Starstruck (1982) is a backstage musical set in 1980s Sydney. Barmaid Jackie (Jo Kennedy) lives above her family pub The Harbour View Hotel in The Rocks in Sydney with her mum, Nanna, cousin Angus and their pet cockatoo.

Jackie dreams of being a star, falls for a guitarist and joins a band called The Wombats so they can enter a TV talent competition.

Cue numerous musical numbers including Body and Soul, where Jackie dances on the bar, and an eventual performance at the Opera House after the band sneak on stage.

There’s also a fabulously camp Busby Berkeley-eque rooftop swimming pool number complete with co-ordinated lifeguards in speedos.

Read more: Screen Australia celebrates its work in gender equality but things are far from equal

4. Dogs in Space

Rather than a traditional musical, Richard Lowenstein’s Dogs in Space (1986) is set in the underground punk scene in late 1970s Melbourne. It follows rocker Sammy (played by Aussie icon Michael Hutchence) through performing, partying, falling in love – and taking lots and lots of drugs.

The film has some amazing cinematography with winding long takes of the cast at their crammed inner-city terrace house as it gets progressively trashed by party after party.

Sammy’s love story with girlfriend Anna (Saskia Post) ends in tragedy and the final song, Rooms for the Memory, effectively uses Hutchence’s brooding star presence and vocals to great effect.

Read more: Friday essay: Dogs in Space, 30 years on – a once maligned film comes of age

5. One Night the Moon

Based on true events from 1932, One Night the Moon (2001), written by First Nations director Rachel Perkins, features Aussie singer-songwriter Paul Kelly as the father of a girl (played by Memphis Kelly, his real daughter) who goes missing in the outback.

The girl’s mother (played by Kelly’s then wife and Memphis’ mother, Kaarin Fairfax) wants to employ an Aboriginal tracker (Kelton Pell) to help find the girl. Her father refuses, thus sealing the fate of his daughter through his prejudice.

With haunting songwriting and sweeping shots of the unforgiving landscape, this is a beautiful and moving story.

Author: Phoebe Macrossan – Lecturer in Screen Media, University of the Sunshine Coast The Conversation

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OSCAR SHOCKS AND SURPRISES: WHO IS LIKELY TO WIN BIG ON HOLLYWOOD’S BIGGEST NIGHT

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On the big screen, Deadpool clashed with Wolverine in a spectacle that set social media abuzz, while animated darling Inside Out 2 stormed the box office — leaving Joker’s sequel in its shadow. Off-camera, there was more drama as Blake Lively and Justin Baldoni found themselves locked in a bitter legal feud.

The off-screen action, however, didn’t stop there. There were debates over The Brutalist’s daring use of AI and Anora’s controversial decision to forgo an intimacy coordinator sparked plenty of heated exchanges on social media.

As the Academy Awards draw near on Sunday, March 2,  2025, the anticipation is palpable. We look at some of the possible winners on Hollywood’s biggest night.

Best Picture: Anora leads, but there others 

Anora is just barely ahead—but only by a hair. Why? A string of major wins, including the Critics Choice, Producers Guild, and Directors Guild Awards, put it in prime position. But rivals like Conclave and The Brutalist are lurking. We could see a historic upset here.

Best Director: Close fight between Sean Baker and Brady Corbet

Two directors, one golden statuette. Sean Baker (Anora) and Brady Corbet (The Brutalist) are neck and neck. But history favours Baker, thanks to the Directors Guild Awards’ near-flawless Oscar track record. Still, nothing is certain.

Best Actor: Both Adrien Brody and Timothée Chalamet are in the race

Adrien Brody (The Brutalist) was cruising toward his second Oscar—until Timothée Chalamet (A Complete Unknown) crashed the party with a major SAG win! Brody is still the favourite, but don’t be shocked if Chalamet pulls off a dramatic last-minute upset.

Best Actress: Demi Moore has a fair chance 

Demi Moore (The Substance) has swept the Golden Globes, Critics Choice, and SAG Awards. But with Anora’s Mikey Madison taking the BAFTA and I’m Still Here’s Fernanda Torres still in play, Moore’s victory lap could be premature.

Best Supporting Actor: Could Kieran Culkin lose?

Kieran Culkin (A Real Pain) has dominated awards season. Could someone else steal the statue? Sure. But at 87.7% likelihood, this one looks locked in.

Best Supporting Actress: This could be a clean sweep for Zoe Saldana 

Despite chatter that controversy around Emilia Pérez could hurt her chances, Zoe Saldaña is sweeping through the competition. The numbers say she’s almost certain to take home gold.

Best Animated flick: The Wild Robot could go for gold

Chris Sanders has been nominated four times — but never won. At 55 per cent, The Wild Robot is the favourite. But Flow and Wallace & Gromit: Vengeance Most Fowl are still in the game.

Best International movie: A twist in the tale

Emilia Pérez was expected to dominate — but controversy, critic-audience divides, and I’m Still Here gaining ground could mean a shocking upset.

Final Thoughts: Who will win, who’ll lose

There’s no such thing as a sure thing at the Oscars — but if the data is right, expect major moments, potential heartbreaks, and perhaps a few historic wins.

(Source: Hollywood Reporter, BBC)

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Bollywood power couple Govinda’s marriage on the rocks after 40 years

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Salman Khan’s ‘Nepotism’ Joke Steals the Show at Nephew Ayaan’s Song Launch in Dubai

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Salman Khan has never been one to hold back, and at a recent event in Dubai, he added his signature dose of humour to the oft-debated topic of nepotism in Bollywood. The superstar, fondly known as Sallubhai, was in town to launch his nephew Ayaan Agnihotri’s debut song, “Universal Laws”, and in true Salman style, he had the audience in splits with his witty remark.

As Dubai’s DJ Bliss – who hosted the event – praised the Khan family for their unwavering support for Ayaan, Salman quipped, “That’s what nepotism is!” His playful jab left everyone in the room in splits.

And as the crowd cheered, Salman officially launched the song, marking Ayaan’s much-anticipated entry into the music world.

A Star-Studded Affair

The event turned into a Bollywood reunion, with stars like Arbaaz Khan, Sohail Khan, Neha Dhupia, Angad Bedi, and other celebrities coming together to celebrate Ayaan’s big moment.

During his speech, Salman highlighted that Ayaan, the son of Atul Agnihotri and Alvira Khan Agnihotri (Salman’s sister), hails from a family of seasoned film producers. He also mentioned that Ayaan’s cousin, Alizeh Agnihotri, who recently made her Bollywood debut, shares the same film-driven lineage.

Ayaan and Salman’s Previous Collaboration

This isn’t the first time the uncle-nephew duo has joined forces. Salman and Ayaan previously worked together on the track, “You Are Mine”, where the young artist showcased his rap skills alongside the Bollywood megastar. The song, composed by Vishal Mishra, became a talking point among fans.

Salman & Sanjay Dutt Spotted in Saudi Arabia

Meanwhile, Salman is keeping busy with multiple projects. A recent video circulating on social media showed him and actor Sanjay Dutt filming on the streets of Saudi Arabia. The clip, shared by an X user, captured the two actors casually chatting with crew members.

The buzz is that Salman and Sanjay are working on a cameo appearance in the Bollywood remake of the 2021 Argentine film Seven Dogs. While details remain under wraps, fans are excited to see the duo share screen space again.

From family celebrations in Dubai to shooting in Saudi Arabia, Salman Khan is proving yet again that his star power knows no boundaries.

(Inputs from Hindustan Times, Zee News)

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