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Alien invasions, a lesbian road movie and tropical architecture

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This article was first published in our email newsletter Something Good, which every fortnight brings you a summary of the best things to watch, visit and read, as recommended and analysed by academic experts. Click here to receive the newsletter direct to your inbox

Here’s a winning equation for you. The creators of Game of Thrones adapting one of the most celebrated authors of Chinese science fiction, whose books are beloved by fans including Barack Obama and Mark Zuckerberg. No wonder 3 Body Problem looks set to be one of the biggest Netflix shows of the year.

Based on Liu Cixin’s Remembrance of Earth’s Past trilogy, the series begins amid China’s Cultural Revolution in the mid-1960s. But it soon moves to the present day, where several top scientists have mysteriously committed suicide. What unfolds is an alien invasion story with a twist, as scientists and officials race to protect human civilisation from the incoming Trisolarans.

Mia Chen Ma, an expert in Chinese sci-fi, has been “captivated” by the eight-part series, which is released today. She is particularly impressed by Netflix’s willingness to get stuck into the big philosophical questions at the heart of Liu’s novels. If a technologically superior alien civilisation were to invade Earth – a planet already plagued with ecological destruction and human conflict – how should we respond? Is humanity worth saving? Is saving ourselves even possible?

As our author explains, the show offers a range of answers. But ultimately, its mix of intrigue and open-ended storytelling encourages viewers to draw their own conclusions.

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3 Body Problem: Netflix adaptation of Liu Cixin’s alien invasion trilogy is captivating

Lesbians have had a rough ride at the cinema. For nearly 40 years between 1930 and 1966, the Hays Code (strict censorship guides imposed on filmmakers) only allowed depictions of the “sexual perversion” of lesbianism if shown in a negative light. The film lesbians of these years (in movies such as Dracula’s Daughter, Rebecca and The Children’s Hour) were murderous, farcical, or rebels sorely in need of reform.

Thankfully, there has been change in recent times. Historical dramas like Carol (2015), Ammonite (2020) and my personal favourite, Portrait of a Lady on Fire (2019) have all shown tender love stories between women. But as touching and refreshing as these portrayals of women in love are, they’re all rather sad. So, I was cheered to read Deborah Shaw’s review of Drive-Away Dolls.

“Odd couple” friends Jamie (Margaret Qualley) and Marian (Geraldine Viswanathan) take a road trip in a hired car. Jamie wants to visit as many lesbian bars as possible, in a quest to cheer up Marian, who has just split with her girlfriend. Unbeknownst to them, the friends are driving a car with a mysterious suitcase in the boot and soon they’re being pursued by hapless thugs. This brainchild of Ethan Coen and his wife Tricia Cooke (a queer woman herself) is a lesbian road movie that will make you laugh, rather than tugging on your heart strings.

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Drive-Away Dolls: overturning the bad, sad and tragic stereotypes of lesbians in film

A film that’s always managed to make me laugh and cry in equal measure is Michel Gondry’s masterpiece Eternal Sunshine of the Spotless Mind, which turned 20 this week. I’ve rewatched the movie several times in recent years, and it somehow brings out a new emotion in me with every viewing.

This week, it was the scene where Joel (Jim Carrey) and Clementine (a blue-haired Kate Winslet) meet in his memories as children that got me. Especially the moment when she steps in to protect him from the childhood bullies that he faced alone in real life.

For Jane Steventon, the film is an unflinching meditation on love and memory. And it was shockingly prescient. A movie about a man erasing the memories of an ex-lover takes on a whole new resonance in our social media age, when the photos of and posts about a previous relationship can be deleted with the touch of a button.

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Eternal Sunshine of the Spotless Mind at 20: an unflinching meditation on love and memory

Despite his fame today, the artist and poet William Blake was relatively unknown in his time. This meant he couldn’t afford to travel widely, as many of his more successful contemporaries did. In fact, Blake never left Britain. But he was certainly interested in Europe. He read the works of Dante in Italian and translations of German philosophers such as Jakob Bhme and Swedish theologians like Emanual Swedenborg.

So, a new exhibition at the Fitzwilliam Museum in Cambridge that shows Blake’s art and poetry alongside that of his European contemporaries feels like retroactive justice.

His beautiful hand-printed poem, Europe, and his energetic reinterpretations of ancient Greek sculptures take on new life when displayed alongside the artists who really lived and worked in these locations. The show expands Blake’s personal creative universe, reframing it as part of a shared imaginative and cultural space. That this exhibition figuratively takes Blake – and visitors – on a journey across Europe, is something very special.

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William Blake exhibition: making a European out of the poet and artist who never left England

Tropical Modernism: Architecture and Independence, now open at London’s V&A, showcases the legacy of tropical modernism in Ghana and India. This style of architecture was developed specifically for tropical climates, resulting in grand, elaborate structures that provide optimal ventilation and minimise solar heat gain.

Our reviewer, Adefolatomiwa Toye, who is writing a PhD on tropical modernism, was impressed. The show challenges the Eurocentric stories that are often told about these designs and spotlights the architects and labourers from India and Ghana who helped to create some of their country’s most iconic buildings.

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Tropical Modernism: Architecture and Independence at V&A reintroduces Indian and Ghanaian pioneers of the style

Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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OSCAR SHOCKS AND SURPRISES: WHO IS LIKELY TO WIN BIG ON HOLLYWOOD’S BIGGEST NIGHT

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On the big screen, Deadpool clashed with Wolverine in a spectacle that set social media abuzz, while animated darling Inside Out 2 stormed the box office — leaving Joker’s sequel in its shadow. Off-camera, there was more drama as Blake Lively and Justin Baldoni found themselves locked in a bitter legal feud.

The off-screen action, however, didn’t stop there. There were debates over The Brutalist’s daring use of AI and Anora’s controversial decision to forgo an intimacy coordinator sparked plenty of heated exchanges on social media.

As the Academy Awards draw near on Sunday, March 2,  2025, the anticipation is palpable. We look at some of the possible winners on Hollywood’s biggest night.

Best Picture: Anora leads, but there others 

Anora is just barely ahead—but only by a hair. Why? A string of major wins, including the Critics Choice, Producers Guild, and Directors Guild Awards, put it in prime position. But rivals like Conclave and The Brutalist are lurking. We could see a historic upset here.

Best Director: Close fight between Sean Baker and Brady Corbet

Two directors, one golden statuette. Sean Baker (Anora) and Brady Corbet (The Brutalist) are neck and neck. But history favours Baker, thanks to the Directors Guild Awards’ near-flawless Oscar track record. Still, nothing is certain.

Best Actor: Both Adrien Brody and Timothée Chalamet are in the race

Adrien Brody (The Brutalist) was cruising toward his second Oscar—until Timothée Chalamet (A Complete Unknown) crashed the party with a major SAG win! Brody is still the favourite, but don’t be shocked if Chalamet pulls off a dramatic last-minute upset.

Best Actress: Demi Moore has a fair chance 

Demi Moore (The Substance) has swept the Golden Globes, Critics Choice, and SAG Awards. But with Anora’s Mikey Madison taking the BAFTA and I’m Still Here’s Fernanda Torres still in play, Moore’s victory lap could be premature.

Best Supporting Actor: Could Kieran Culkin lose?

Kieran Culkin (A Real Pain) has dominated awards season. Could someone else steal the statue? Sure. But at 87.7% likelihood, this one looks locked in.

Best Supporting Actress: This could be a clean sweep for Zoe Saldana 

Despite chatter that controversy around Emilia Pérez could hurt her chances, Zoe Saldaña is sweeping through the competition. The numbers say she’s almost certain to take home gold.

Best Animated flick: The Wild Robot could go for gold

Chris Sanders has been nominated four times — but never won. At 55 per cent, The Wild Robot is the favourite. But Flow and Wallace & Gromit: Vengeance Most Fowl are still in the game.

Best International movie: A twist in the tale

Emilia Pérez was expected to dominate — but controversy, critic-audience divides, and I’m Still Here gaining ground could mean a shocking upset.

Final Thoughts: Who will win, who’ll lose

There’s no such thing as a sure thing at the Oscars — but if the data is right, expect major moments, potential heartbreaks, and perhaps a few historic wins.

(Source: Hollywood Reporter, BBC)

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