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Despite Google Earth, people still buy globes. What’s the appeal

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London – Find a globe in your local library or classroom and try this: Close the eyes, spin it and drop a finger randomly on its curved, glossy surface.

You’re likely to pinpoint a spot in the water, which covers 71% of the planet. Maybe you’ll alight on a place you’ve never heard of – or a spot that no longer exists after a war or because of climate change. Perhaps you’ll feel inspired to find out who lives there and what it’s like. Trace the path of totality ahead of Monday’s solar eclipse. Look carefully, and you’ll find the cartouche – the globemaker’s signature – and the antipode (point diametrically opposed) of where you’re standing right now.

In the age of Google Earth, watches that triangulate and cars with built-in GPS, there’s something about a globe – a spherical representation of the world in miniature – that somehow endures.

London globemaker Peter Bellerby thinks the human yearning to “find our place in the cosmos” has helped globes survive their original purpose – navigation – and the internet. He says it’s part of the reason he went into debt making a globe for his father’s 80th birthday in 2008. The experience helped inspire his company, and 16 years later – is keeping his team of about two dozen artists, cartographers and woodworkers employed.

“You don’t go onto Google Earth to get inspired,” Bellerby says in his airy studio, surrounded by dozens of globes in various languages and states of completion. “A globe is very much something that connects you to the planet that we live on.”

Artists create a globe at a studio in London, Feb. 27, 2024. Artists create a globe at a studio in London, Feb. 27, 2024.

Building a globe amid breakneck change?

Beyond the existential and historical appeal, earthly matters such as cost and geopolitics hover over globemaking. Bellerby says his company has experience with customs officials in regions with disputed borders such as India, China, North Africa and the Middle East.

And there is a real question about whether globes – especially handmade orbs – remain relevant as more than works of art and history for those who can afford them.

They are, after all, snapshots of the past – of the way their patrons and makers saw the world at a certain point in time. So, they’re inherently inaccurate representations of a planet in constant flux.

“Do globes play a relevant role in our time? If so, then in my opinion, this is due to their appearance as a three-dimensional body, the hard-to-control desire to turn them, and the attractiveness of their map image,” says Jan Mokre, vice president of the International Coronelli Society for the Study of Globes in Vienna.

Joshua Nall, Director of the Whipple Museum of the History of Science in Cambridge, says a globe remains a display of “the learning, the erudition, the political interests of its owner.”

How, and how much?

Bellerby’s globes aren’t cheap. They run from about 1,290 British pounds (about $1,900) for the smallest to six figures for the 50-inch Churchill model. He makes about 600 orbs a year of varying size, framing and ornamentation.

The imagery painted on the globes runs the gamut, from constellations to mountains and sea creatures. And here, The Associated Press can confirm, be dragons.

An artist paints a globe at a studio in London, Feb. 27, 2024. An artist paints a globe at a studio in London, Feb. 27, 2024.

Who buys a globe these days?

Bellerby doesn’t name clients, but he says they come from more socioeconomic levels than you’d think – from families to businesses and heads of state. Private art collectors come calling. So do moviemakers.

Bellerby says in his book that the company made four globes for the 2011 movie, “Hugo.” One globe can be seen in the 2023 movie “Tetris,’ including one, a freestanding straight-leg Galileo model, which features prominently in a scene.

‘A political minefield’

There is no international standard for a correctly drawn earth. Countries, like people, view the world differently, and some are highly sensitive about how their territory is depicted. To offend them with “incorrectly” drawn borders on a globe is to risk impoundment of the orbs at customs.

“Globemaking,” Bellerby writes, “is a political minefield.”

China doesn’t recognize Taiwan as a country. Morocco doesn’t recognize Western Sahara. India’s northern border is disputed. Many Arab countries, such as Lebanon, don’t acknowledge Israel.

Bellerby says the company marks disputed borders as disputed: “We cannot change or rewrite history.’

Speaking of history, here’s the ‘earth apple’

Scientists since antiquity, famously Plato and Aristotle, posited that the earth is not flat but closer to a sphere. (More precisely, it’s a spheroid – bulging at the equator, squashed at the poles).

No one knows when the first terrestrial globe was created. But the oldest known surviving one dates to 1492. No one in Europe knew of the existence of North or South America at the time.

An artist paints a globe at a studio in London, Feb. 27, 2024. An artist paints a globe at a studio in London, Feb. 27, 2024.

It’s called the “Erdapfel,” which translates to “earth apple” or “potato.’ The orb was made by German navigator and geographer Martin Behaim, who was working for the king of Portugal, according to the Whipple Museum in Cambridge. It contained more than just the cartographical information then known, but also details such as commodities overseas, marketplaces and local trading protocols.

It’s also a record of a troubled time.

“The Behaim Globe is today a central document of the European world conquest and the Atlantic slave trade,” according to the German National Museum’s web page on the globe, exhibited there. In the 15th century, the museum notes, ‘Africa was not only to be circumnavigated in search of India, but also to be developed economically.

“The globe makes it clear how much the creation of our modern world was based on the violent appropriation of raw materials, the slave trade and plantation farming,’ the museum notes, or “the first stage of European subjugation and division of the world.”

Twin globes for Churchill and Roosevelt during WWII

If you’ve got a globe of any sort, you’re in good company. During World War II, two in particular were commissioned for leaders on opposite sides of the Atlantic as symbols of power and partnership.

For Christmas in 1942, the United States delivered gigantic twin globes to American President Franklin Roosevelt and British Prime Minister Winston Churchill. They were 50 inches in diameter and hundreds of pounds each, believed to be the largest and most accurate globes of the time.

It took more than 50 government geographers, cartographers, and draftsmen to compile the information to make the globe, constructed by the Weber Costello Company of Chicago Heights, Illinois.

The Roosevelt globe now sits at the Roosevelt Library in Hyde Park, N.Y., and Churchill’s globe is at Chartwell House, the Churchill family home in Kent, England, according to the U.S. Library of Congress.

In theory, the leaders could use the globes simultaneously to formulate war strategy. “In reality, however,’ Bellerby writes, “the gift of the globes was a simple PR exercise, an important weapon in modern warfare.”

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Johan Nus of Arabs Got Talent fame to direct region’s first grand musical, Once Upon A Time in Dubai

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Dubai’s much-anticipated first grand musical of its kind, Once Upon A Time in Dubai, will have celebrated director Johan Nus at the helm. Known for his dynamic and visionary direction across international productions including Arabs Got Talent, Nus is set to create an unforgettable theatrical experience that captures Dubai’s vibrant energy and ambition.

With a background that includes directing performances for X Factor and The Masked Singer, as well as acclaimed musicals like Singin’ in the Rain and Sweeney Todd, Nus brings a unique blend of creativity and global perspective to this ambitious project.

“Once Upon A Time in Dubai is not just a musical; it’s a bold celebration of culture, love, and ambition—values that define Dubai so well in my opinion. Directing this project is a dream come true, as it allows me to blend my passion for storytelling with the unmatched spirit of this incredible city. Audiences can expect a visual and emotional journey that will stay with them long after the curtains close.”

Set to premiere in December 2025, the musical is set to become a milestone project featuring 50 shows in Dubai for an anticipated 150,000 attendees before it embarks on a world tour and movie adaptation in subsequent years eventually.

Producer Stéphane Boukris, whose credentials include international successes like the Robin Hood musical, expressed his excitement about working with Nus:Johan’s ability to connect with audiences through his direction is unparalleled. His vision aligns perfectly with what we want to achieve with Once Upon A Time in Dubai—a production that not only entertains but also resonates deeply with audiences around the globe. His expertise is critical in bringing this dream to life.”

The musical is a story of dreams, love, and determination, centered on Will, a young artist who moves to Dubai to reunite with his partner, Sophia, and pursue his dream of creating a spectacular show. With original compositions by renowned composer Nazim Khaled, the production promises a mix of chart-topping songs and emotionally evocative music.

Once Upon A Time in Dubai is poised to redefine theatrical entertainment in the region, showcasing Dubai as a hub for global culture and creativity.

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Bengali blockbuster Khadaan premieres in Dubai, exciting cinema lovers worldwide

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Highly-anticipated Bengali film Khadaan starring superstar duo Dev and Jisshu Sengupta, is all set for its global debut in Dubai this Friday.

Extensively shot across the coal mines of Bengal, the film is based upon the gruesome tale of revolt, tussle for power and friendship between two workers in the coal mines of Damodar Valley, who try to change to change their fate along with the destiny of the other workers.

The gripping drama, released in Indian theatres in December, is the fourth highest grossing Indian Bengali film of all time and features stunning performances, captivating storytelling and memorable music.

“We’re thrilled to bring Bengal’s cinematic magic to Dubai’s vibrant cultural scene. Our opening show at 6pm on Jan 25 sold out within minutes which is why we have had to add another show the same day” said Sudip Saha, spokesperson for GEM Enterprises that’s bought the rights of the movie in the UAE. “We have showcased Bengli movies like Projpoti and Aparajito in Dubai in the past to a huge reception but this is going to be a truly historic moment for all of us because Khadaan has been uniting cinema lovers from across the border and worldwide, celebrating the rich heritage of Bengali cinema.”

Presented by GEM Enterprises, the global premiere will take place at Star Cinema, Al Ghurair Centre in Dubai with two shows scheduled for 6pm, which is sold out, and 6.30pm.

The film stars Dev in dual roles, alongside Jisshu Sengupta, of Manikarnika and Piku fame, in lead roles, while Barkha Bisht, Idhika Paul, Anirban Chakrabarti, John Bhattacharya and Sneha Bose play other pivotal roles. It marked Dev’s debut as creative directorand a comeback to the action genre after a few years.

Event Details

Date: January 25th

Venue: Star Cinema, Al Ghurair Centre

⁠Showtimes: 3:30 PM and 6:30 PM

Tickets: https://www.starcinemas.ae/now-showing-booking/1423/1/

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Aussie Omar Dean unveiled as lead for Dubai’s first Grand Musical: Once Upon A Time in Dubai

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In a dazzling celebration of talent and ambition, Australian Omar Dean, the internationally acclaimed singer and finalist on The X Factor Australia and The Voice Middle East, was officially revealed today as the lead in Once Upon A Time in Dubai, Dubai’s first-ever grand musical. The announcement took place at Instagram Headquarters in Dubai, where the event also marked the launch of the production’s first single, “Stranger in the World,” accompanied by the premiere of its highly anticipated music video.

The journey to this moment has been a labor of love, reflecting Dubai’s relentless drive to lead in culture and creativity on the global stage. Frenchman Stephane Boukris, the producer of the musical, described the significance of casting Omar Dean in the lead role. “Omar brings a unique blend of passion, talent, and global appeal that perfectly aligns with the essence of this musical. His journey as an artist mirrors Dubai’s story—a place where dreams are realised and creativity knows no bounds. We couldn’t be more thrilled to have him as the face and voice of this production.”

The event also offered a first look into the musical’s world with a live performance of “Stranger in the World,” featuring Omar’s powerful and soulful voice. His performance left no doubt about the depth of emotion and artistry he brings to the production. Speaking on the occasion, Omar Dean shared his excitement and gratitude, saying, “It’s an absolute honour to be chosen as the lead for Once Upon A Time in Dubai. This musical is more than just a production; it’s a celebration of everything Dubai represents—hope, ambition, and unity. I’m deeply humbled to play a part in bringing this extraordinary story to life and to share it with audiences around the globe.”

The premiere of the music video for “Stranger in the World” further heightened the anticipation for the musical, offering a visual and emotional glimpse into the epic narrative that awaits audiences.

Set to premiere in December 2025, Once Upon A Time in Dubai is more than a theatrical production, said Boukris, who also produced Robin Des Bois that became France’s number one musical in 2013 after it sold over a million tickets across Europe. “It is a cultural milestone that reflects the emirate’s spirit and ambition and there is no doubt, this musical is poised to captivate global audiences, blending exceptional storytelling, unforgettable music, and a celebration of Dubai’s role as a crossroads of cultures,” added the Frenchman who has more than ten years of expertise in entrepreneurship with a track record of successfully creating businesses in the digital sector.

With today’s unveiling of Dean, an Australian of Lebanese descent, as the lead and the release of “Stranger in the World,” the journey toward this groundbreaking production has officially begun. “Dubai is ready to share its story with the world, and Once Upon A Time in Dubai promises to be the stage where dreams come alive,” said Boukris. “This is the first time a musical of this magnitude has been planned in the region, and we’re certain this will go a long way in reshaping Dubai’s cultural landscape.”

Once Upon A Time in Dubai is expected to be performed in front of at least 150,000 spectators in Dubai before embarking on an international tour and an exciting screen adaptation, making it Dubai’s first truly global production of a scale and vision never before conceived in the region.

A Stellar Creative Team

The musical score is composed by Nazim Khaled, a leading European composer for singers like Kendji Girac, renowned for crafting hits that resonate globally and have garnered over 4 billion views globally. The music for Once Upon A Time in Dubai is a unique blend of chart-topping songs and evocative compositions that drive the narrative forward. Ahead of the musical’s release, fans can expect a debut single and a music video , offering a taste of the musical magic to come.

The director of the show is Johan Nus, well-known in the Middle-East for his work on Arabs Got Talent or The Masked Singer, and as executive producer, Gilles Papain, who has worked on shows like Celine in Las Vegas, Disney World of Colors in California, and Christian Louboutin’s show at the Crazy Horse in Paris.

An Unforgettable Story

Set in the heart of Dubai, the show tells the story of Will, a young artist who moves from London to Dubai to reunite with his partner, Sophia, and pursue his dream of producing a musical extravaganza. The narrative weaves together themes of love, ambition, and the vibrant culture of Dubai, promising an unforgettable journey for audiences.

About Stéphane Boukris:

 Stephen Boukris is an innovative French music producer and creative visionary with a deep passion for storytelling through music and entertainment. Based in Dubai, he is the mastermind behind “Once Upon A Time in Dubai,” the first-ever international musical produced entirely in the city.

 With extensive experience in the global music industry and a reputation for blending cultures, Stephen has collaborated with leading artists and brands, bringing groundbreaking productions to life. With a deep passion for storytelling through music, he has successfully produced the critically acclaimed “Robin Hood” musical, which sold over 1 million tickets.

About Universal Music Group

At Universal Music Group, we exist to shape culture through the power of artistry. UMG is the world leader in music-based entertainment, with a broad array of businesses engaged in recorded music, music publishing, merchandising, and audiovisual content. Featuring the most comprehensive catalogue of recordings and songs across every musical genre, UMG identifies and develops artists and produces and distributes the most critically acclaimed and commercially successful music in the world. Committed to artistry, innovation, and entrepreneurship, UMG fosters the development of services, platforms, and business models in order to broaden artistic and commercial opportunities for our artists and create new experiences for fans. For more information, visit www.universalmusic.com.

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