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The legacy of the Sage of the Andes

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“… it is almost certain that one fine day a man of titanic soul will be born here – titans are the children of the mountains – who will write sovereign verses and will properly be the Ande that versifies.”

Jose Ortega y Gasset, Meditacion de la Criolla, 1939

And he had already been born, Don Jose, the year before your speech, only you could not know it. Mario Luis Rodriguez Cobos, who would later be known in these and other latitudes by the name by which he would go down in history, Silo, came into the world in Mendoza, Argentina, on the edge of those great and inspiring mountains in January 1938, and his body, faithful companion of his many wanderings, lay inert on 16 September seventy-two years later.

But what sense could there be in commemorating the death of the man who early on proclaimed “There is no meaning in life if everything ends in death”? The only reason with any coherent meaning is to highlight his work and legacy, which has undoubtedly transcended the individual and whose rays are projected without being tarnished in the least by the anecdotes of physical time.

However, highlighting a few of his experiences and proposals could dwarf his masterful contribution to the human species, while a necessary interpretative reduction could distort, in other eyes, his main message. Silo himself, aware of these issues, took it upon himself to alleviate the matter by placing his texts and reliable speeches on a site that we recommend visiting, as well as consulting his printed books published in different languages.

Having made these clarifications, we can freely comment on three aspects that we consider to be of fundamental importance in his legacy.

In the search for the deepest truths of the human being, in the investigation of the purpose of his existence, several mystics tried to go beyond the phenomenal world, going into the unveiling of essential mysteries. And, as if they were touching the bottom of a pond with their feet, the need to communicate their discoveries pushed them with force to the surface to share what they considered would improve human life.

Thus, the task to which Silo dedicated his life, and which forms an irreplaceable part of his legacy, is that of delving into, understanding and overcoming all the factors that generate pain and suffering in and around us. As he explained on numerous occasions, external violence with its multiple modalities and the internal violence produced by contradiction, intimately linked by subtle threads, are today the main stumbling block to be removed.

In a historical time that has dissociated subjectivity from the object, separated energetic expression from material expression, compartmentalised the spiritual and the political as separate realms – perhaps to ensure the feudal domination of some actor in them – it is a moral imperative to recompose the lost unity and restore to the peoples the capacity to move through this unique and indissoluble space with a creative sense.

Rebellion in the face of determination

In a significant passage of his book “Humanise the Earth”, Silo states: “I will not accept at my side those who project a transcendence out of fear, but those who rise up in rebellion against the inevitability of death”.

This attitude of rebellion against the given, the factual, together with the capacity of the human being to find creative ways out of the various enclosures and apparent conditionings, is a central component of his doctrine.

In relation to the supposedly natural and determined condition, Silo is emphatic and enlightening when he points out in his essay ” Regarding what is Human”: “In the human being there is no human “nature”, unless this “nature” is considered as a capacity different from the animal one, of moving between times outside the horizon of perception. In other words: if there is something “natural” in the human being, it is not in the mineral, vegetable or animal sense, but in the sense that what is natural is change, history, transformation.”

“Such an idea of change” – he goes on to say – “does not conveniently fit in with the idea of “nature” and therefore we prefer not to use the latter word as it has been used, and with which numerous disloyalties to the human being have been justified.”

In this way, when observing today a certain almost “ritual” devotion to the “laws” of the natural ambit and in the face of certain voices that blame the human race (and not the mechanisms of the capitalist system itself) for the current environmental degradation, the affirmation of the human capacity and need to transform its environment becomes a banner of rebellion against the regressive conservationist clamour, which omits the calamities that the species had to and still has to face due to external and its own natural conditioning factors.

The guides who traced evolutionary paths for humanity spoke to their peoples from their historical and cultural circumstances. This fact, perhaps necessary to connect with the feelings and needs of the people, later collided with others when they tried to spread the messages, causing violence and imposition.

From its very roots, Silo shares his message with a clear intention of universality, respecting the cultural translations that each people can produce and at the same time will be a convergence towards essential values and experiences, proper to the same human species, whatever its geographical and cultural condition.

The characteristic of free interpretation expressed by himself in relation to the possible experiences derived from his teaching, on the other hand, makes his doctrine permeable to the human transformations of the future, an aspect absolutely coherent with his dynamic conception of the Human Being.

Universalist Humanism, as a social expression of his Message, also points to a project in accordance with the formation of the first fully interconnected civilisation in human history, promoting the image of a Universal Human Nation, inclusive and twinned with the purpose of tackling the challenges of the species in a united and collaborative way.

As we made clear at the beginning of this article, there are many more aspects to mention in Silo’s work, but as a collective executor of that legacy, these few lines suffice to affirm the validity, necessity and centrality of Silo’s proposal in a world that needs to open its future to new utopias.

Related to this, in a warm spirit of possibility and openness towards the future, and by way of testimony, we adhere to the following extract from the aforementioned essay by Silo:

“I love, then, the Human Being, his growing humanisation. And in moments of crisis of reification, in moments of dehumanisation, I love its possibility of future rehabilitation”.

Source: Pressenza

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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OSCAR SHOCKS AND SURPRISES: WHO IS LIKELY TO WIN BIG ON HOLLYWOOD’S BIGGEST NIGHT

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On the big screen, Deadpool clashed with Wolverine in a spectacle that set social media abuzz, while animated darling Inside Out 2 stormed the box office — leaving Joker’s sequel in its shadow. Off-camera, there was more drama as Blake Lively and Justin Baldoni found themselves locked in a bitter legal feud.

The off-screen action, however, didn’t stop there. There were debates over The Brutalist’s daring use of AI and Anora’s controversial decision to forgo an intimacy coordinator sparked plenty of heated exchanges on social media.

As the Academy Awards draw near on Sunday, March 2,  2025, the anticipation is palpable. We look at some of the possible winners on Hollywood’s biggest night.

Best Picture: Anora leads, but there others 

Anora is just barely ahead—but only by a hair. Why? A string of major wins, including the Critics Choice, Producers Guild, and Directors Guild Awards, put it in prime position. But rivals like Conclave and The Brutalist are lurking. We could see a historic upset here.

Best Director: Close fight between Sean Baker and Brady Corbet

Two directors, one golden statuette. Sean Baker (Anora) and Brady Corbet (The Brutalist) are neck and neck. But history favours Baker, thanks to the Directors Guild Awards’ near-flawless Oscar track record. Still, nothing is certain.

Best Actor: Both Adrien Brody and Timothée Chalamet are in the race

Adrien Brody (The Brutalist) was cruising toward his second Oscar—until Timothée Chalamet (A Complete Unknown) crashed the party with a major SAG win! Brody is still the favourite, but don’t be shocked if Chalamet pulls off a dramatic last-minute upset.

Best Actress: Demi Moore has a fair chance 

Demi Moore (The Substance) has swept the Golden Globes, Critics Choice, and SAG Awards. But with Anora’s Mikey Madison taking the BAFTA and I’m Still Here’s Fernanda Torres still in play, Moore’s victory lap could be premature.

Best Supporting Actor: Could Kieran Culkin lose?

Kieran Culkin (A Real Pain) has dominated awards season. Could someone else steal the statue? Sure. But at 87.7% likelihood, this one looks locked in.

Best Supporting Actress: This could be a clean sweep for Zoe Saldana 

Despite chatter that controversy around Emilia Pérez could hurt her chances, Zoe Saldaña is sweeping through the competition. The numbers say she’s almost certain to take home gold.

Best Animated flick: The Wild Robot could go for gold

Chris Sanders has been nominated four times — but never won. At 55 per cent, The Wild Robot is the favourite. But Flow and Wallace & Gromit: Vengeance Most Fowl are still in the game.

Best International movie: A twist in the tale

Emilia Pérez was expected to dominate — but controversy, critic-audience divides, and I’m Still Here gaining ground could mean a shocking upset.

Final Thoughts: Who will win, who’ll lose

There’s no such thing as a sure thing at the Oscars — but if the data is right, expect major moments, potential heartbreaks, and perhaps a few historic wins.

(Source: Hollywood Reporter, BBC)

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Bollywood power couple Govinda’s marriage on the rocks after 40 years

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