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Greta Gerwig ‘stood in the back’ of ‘Barbie’ screenings to see audience’s reaction

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California [US], October 9 (ANI): American actor and writer Greta Gerwig is revealing an unexpected detail about her critically acclaimed film, ‘Barbie’, reported People.

The 40-year-old filmmaker explained that she made the decision to do her own clandestine fieldwork during the movie’s opening weekend in July by hiding in the theatre’s back during showings to observe the audience’s response first-hand.

“I went around to different theatres and sort of stood in the back, and would then also turn up the volume if I felt it wasn’t playing at the perfect level,” she recounted during a screen talk on Sunday at the BFI London Film Festival, according to The Hollywood Reporter.

She said at one of those sneaky screenings, she heard a woman cracking up over a particularly zingy one-liner about the Proust Barbie. “And I was like, ‘That joke was for you!’ ” Gerwig told the festival audience.

According to People, Gerwig went on to share that the film was “the most joyful” experience she’s ever had on a set. “So, I thought, if I can make a movie that is half as fun to watch as it was to make, I think maybe we’ve got a shot,” she said.

Gerwig also said that she occasionally struggled with self-doubt with the writing and some of her artistic decisions, such as the adored “I’m Just Ken” dance scene, which depicts the numerous Kens fighting.

“That sequence, in particular, was just filled with choices that thrilled me and made me so happy, but then I’d be driving home at the end of the day and thinking, ‘Oh no!’ ” she recalled.

Gerwig is focusing on brand-new artistic endeavours as she continues to enjoy Barbie’s record-breaking success. She made light of the fact that she was presently working on anything new by withholding further information.

“I’m in the writing process,” she said at the festival, adding that she is still grappling with self-doubt. “It’s hard because I’m having recurring nightmares.”In July, Gerwig echoed that same sentiment when talking about another upcoming project that will see her directing two Narnia movies, based on acclaimed British author C.S. Lewis’ classic The Chronicles of Narnia book series, reported People.

“I haven’t even really started wrapping my arms around it. But I’m properly scared of it, which feels like a good place to start. I think when I’m scared, it’s always a good sign,” she said on the Inside Total Film podcast.

“Maybe when I stop being scared, it’ll be like, ‘Okay. Maybe I shouldn’t do that one.’ No, I’m terrified of it. It’s extraordinary. And so we’ll see,” Gerwig continued.

“I hope to make all different kinds of movies in the course of the time I get to make movies, which — it’s a long time, but it’s also limited,” she added. “I want to do big things and small things and everywhere in between, and having another big canvas is exciting and also daunting.”Sometime in the future, Gerwig also hopes to dive into the Barbie universe again and bring fans even more movies. “There’s a tone and a humor and a joy, and obviously the world is so beautiful,” she told People in July, declaring, “I want to go back to Barbie Land.” (ANI)

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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