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5 reasons to watch Better than Us, Netflix’s Russian TV show

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The sci-fi series has surpassed ‘Black Mirror’ and ‘Sexl Education’ in overall views. Bought by Netflix in 2019, it still manages to retain popularity among the streaming giant’s boundless library.

1. One of the main subjects is the issue of AI, which is becoming ever more salient today

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

According to the story, in the near future, androids establish a solid presence in our everyday lives, completely freeing humanity from routine and menial tasks. Many even have the ability to convincingly replicate human emotions. The next generation is about to emerge, bridging the gap even more: the androids can not only accurately read and react to human emotions, but are also capable of independent decision making.

Naturally, many are against such proliferation of artificial intelligence and a new luddite movement begins to emerge – the Liquidators – tasked with exterminating the androids, despite the latter being virtually harmless, as they are programmed to follow the famous laws established by Isaac Asimov, precluding them from causing harm to any living being. Nevertheless, the scale of these liquidations only grows and a human is even killed during an operation.

However, human superiority could soon face a real challenge. One day, a faulty android shows up in Moscow (played by Paulina Andreeva, whom you might recognize from ‘The Method’ – another popular Russian TV show). Despite her deceptively frail appearance, Arisa is one of a kind – not only sentient and capable of something resembling free will, but also possessing the belief that it’s OK to kill a human.

2. The cast is composed of stars from ‘To the Lake’ – another international hit TV show that has also beat ‘Rick and Morty’ on Netflix

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

In ‘To the Lake’ (2020), actor Kirill Kyaro played a stepfather to an autistic boy (played by Eldar Kalimulin). The two had to find a way to communicate, as the world was being brought to its knees by a pandemic of unknown origins, threatening life on Earth as we know it. There are no pandemics in ‘Better than Us’ – Kyaro plays an actual father, but the setting is somewhat similar.

After divorcing his wife, Safronov (Kayro) barely gets to see his children, the prickly teenage son (played by Kalimulin) and daughter (Vita Kornienko). However, he gets an opportunity to change that, as the two briefly end up in his care. The situation is made more complex by the presence of the “sentient” Arisa. The android isn’t too fond of the role of babysitter and she wishes to become a full-fledged mother to the family, with no one any the wiser to what she’s actually capable of.

3. The story doesn’t simply take place in the near future, but in an alternate reality, as well

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

The show’s writers confessed their long struggle with wanting to create an entirely alternate universe – one that’s both original, visually appealing and not too expensive to realize. An elegant solution was formulated as a result. The Moscow we see on screen resembles the one we know today, with similar car models, albeit with plenty of drones and overpasses that resemble those of Tokyo. It’s the separate details that look futuristic: there are things like holographic traffic lights; gone are the smart bracelets and Fitbits – all notifications are projected straight onto the skin; and, instead of paper, people use transparent film and so on.

The main technological innovation is, of course, the androids, surpassing every other technological sphere by several orders of magnitude. The imbalance is explained by director Andrey Dzhunkovsky as arising out of the fact that this is, indeed, an alternate reality, wherein progress took a different turn: “For instance, [it’s about] what would happen if more resources and scientific research in the 1950s were directed toward robotics.”

4. The ‘human-like’ androids are quite peculiar & resemble dolls

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

Among the references used by the artists were vintage Soviet dolls with huge eyes. Makeup was applied to the actors’ skin In order to enhance the unnatural look of the androids, complete with fake-looking wigs and color lenses, as well as CGI, to make the eyes bulge even more (glowing lenses exist, but were considered unsafe, due to their alleged negative effects on eyesight).

The robot’s movements were, likewise, choreographed to look different to the kind we’re used to seeing in sci-fi projects of this sort: they glide gently, but still in ways that don’t resemble humans. Choreographer Maksim Yurov says he drew inspiration from breakdancers.

5. ‘Better than Us’ set a new precedent for the Russian entertainment industry, after becoming the first Russian project to be purchased by Netflix for its ‘Originals’ lineup

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

More deals followed after the success of Dzhunkovsky’s TV show: Netflix Originals acquired ‘To the Lake’, the movies ‘Silver Skates’ (2020) and ‘Major Grom: Plague Doctor’ (2021), as well as the animated movie ‘Secret Magic Control Agency’ (2021).

Of course, aside from high cinematic standards and top production, ‘Better than Us’ wins thanks to a story that could easily happen in real life and involves an important modern issue, although its historical trajectory takes a different turn to what audiences saw in similar shows, such as the British ‘Humans’ (2013-2018) and the Swedish ‘Real Humans’ (2012-2014).

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Entertainment

Dubai Miracle Garden returns as UAE’s cooler season begins

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Dubai’s Miracle Garden has reopened for its 15th season as temperatures begin to fall across the UAE. The popular attraction in Al Barsha South welcomed visitors on Thursday, 8 October, with the new season being launched under the theme “Fifteen Years, Blooming Together”.

Sheikh Theyab bin Tahnoon bin Mohammed Al Nahyan, chairman of Miracle Group, inaugurated the new season. The garden will remain open until 31 May 2027, with a programme of weekly themes and events planned around the UAE’s cultural and national calendar.

Visitors will see activities linked to occasions including Pink October, United Nations Day, UAE Flag Day and Diwali. The programme will also include live music, family entertainment and fitness activities held as part of the Dubai Fitness Challenge.

Events are also planned for Commemoration Day and Eid Al Etihad.

“For fifteen seasons, Dubai Miracle Garden has grown alongside Dubai and its people,” Sheikh Theyab said. “This season is dedicated to the community that made it possible, particularly the families and residents who return year after year.”

Mohammed Zaher Hammadih, group chief executive of Miracle Group, said the weekly programme was intended to encourage visitors to return throughout the season.

“As we mark our 15th season, Dubai Miracle Garden continues to bring people together through shared experiences,” he said. “Our weekly programme gives families a new reason to return, with cultural celebrations, live entertainment and activities to enjoy throughout the season.”

The garden features more than 150 varieties of flowers and is known for its large-scale floral displays, some of which have previously set Guinness World Records.

Since opening in 2013, it has attracted millions of visitors and become one of Dubai’s established family attractions.The garden is open daily from 9am to 9pm on weekdays and from 9am to 11pm at weekends.

Tickets start at Dh105 for adults and Dh84 for children. Children under three can enter free of charge.

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Emirates Dubai 7s 2026: Tickets on sale as festival returns with bigger family zone

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Emirates Dubai 7s is returning to The Sevens Stadium from November 27 to 29, with tickets now on sale for the three-day sports and entertainment festival.

The 2026 edition will bring together international rugby, amateur sports, live music and family entertainment, with organisers promising a bigger programme than previous years.

The festival attracted more than 88,000 visitors in 2025 and will again take place during the final weekend of the Dubai Fitness Challenge.

Ticket prices

Ticket prices for General Admission and Hospitality have stayed the same for a third consecutive year.

Three-day General Admission tickets cost Dh595 per person, while the three-day Family Pass is Dh1,136 for two adults and two children.

Other ticket options

  • Group pass: Dh446 per person for four or more adults
  • Saturday or Sunday: Dh455
  • Friday: Dh75
  • Under 15s: Free
  • People of Determination + carer: Dh375

Tickets can be purchased through the Emirates Dubai 7s website and app.

Bigger family attractions

Family entertainment will get a major boost this year as the UAE celebrates the Year of the Family.

The festival will feature its biggest-ever Kids’ Zone, including the UAE’s largest inflatable kids’ zone, along with a Ferris wheel and zipline. More attractions are expected to be announced ahead of the event.

Six sports and top rugby action

Alongside elite rugby, visitors can watch or take part in competitions across six sports — rugby, netball, cricket, WODON3 fitness, Rebound padel and Gaelic Football.

Gaelic Football will join the festival for the first time in 2026.

The Sevens Stadium will also host the opening round of the HSBC SVNS Series 2027, bringing the world’s leading rugby sevens players to Dubai.

The WODON3 Elite final will take place on Pitch 1 between HSBC SVNS matches, with competitors potentially performing in front of crowds of up to 20,000.

Music all weekend

Live entertainment will run throughout the festival, with local and international artists performing across three days.

Last year’s line-up included Tinie Tempah, Sean Paul and Fisher, while the 2026 headline acts will be announced later.

For a premium experience, The Sunroom returns with all-inclusive food and drinks, shaded seating, prime sporting views and dedicated access. Packages start from Dh1,925 per person.

With sport, music and family attractions packed into one weekend, Emirates Dubai 7s is gearing up for another big Dubai event.

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Dubai launches ‘Dubai+’ family streaming platform to boost digital media and creative economy

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Sheikh Ahmed bin Mohammed bin Rashid Al Maktoum, Second Deputy Ruler of Dubai and Chairman of the Dubai Media Council, has approved the launch of Dubai+, a new family-oriented digital media platform, reinforcing Dubai’s ambition to become a global hub for digital media and the creative economy.

The approval came as Sheikh Ahmed chaired the Dubai Media Council’s first meeting of 2026 at Dubai Media, where members reviewed sector strategies and plans to strengthen content creation, innovation and local production capabilities.

What is Dubai+?

Dubai+ will offer a wide range of family-friendly content, bringing together:

  • Local and Emirati productions
  • Arab series and films
  • International entertainment

The platform reflects Dubai Media’s integrated digital ecosystem strategy, responding to shifting viewer habits and the growing demand for high-quality, on-demand digital content.

“We believe media is a strategic force that shapes awareness, supports development and builds trust,” Sheikh Ahmed said. 

Boosting Local Film and Content Production

The Council also reviewed plans to:

  • Enhance local production capabilities
  • Support cinema as a cultural and creative industry
  • Invest in programmes that drive creative and economic growth

Samr Al Marzooqi, Director of Films and Production at the Dubai Media Council, outlined upcoming initiatives aimed at showcasing Emirati and international talent while strengthening Dubai’s film sector.

Next Phase of Growth

Mona Al Marri, Vice Chairperson and Managing Director of the Dubai Media Council, said the next phase will focus on monitoring implementation and ensuring measurable outcomes across the sector.

Secretary General Nehal Badri added that priorities include encouraging private sector participation, accelerating content development, and investing in talent, advanced production technologies and future-ready capabilities.








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