Connect with us

Entertainment

‘Civil War’ declares victory at box office

Published

on

Spread the love

[ad_1]

Alex Garland’s provocative “Civil War” didn’t only ignite the discourse. The film also inspired audiences to go to the cinemas this weekend where it surpassed expectations and earned $25.7 million in ticket sales in North America, according to studio estimates Sunday.

It’s the biggest R-rated opening of the year to date and a record for A24, the studio behind films like “Everything Everywhere All At Once” and “The Iron Claw.” “Civil War” also unseated “Godzilla x Kong” from its perch atop the box office. The titan movie from Warner Bros. had held the No. 1 spot for the past two weekends.

“Civil War,” starring Kirsten Dunst, Wagner Moura and Cailee Spaeny as front-line journalists in the future covering a devastating conflict in the U.S. and trying to make their way to Washington, D.C. The story, written by Garland, who is also the mind behind “Ex Machina” and “Annihilation,” imagines a U.S. in which California and Texas have united against a president who has disbanded the FBI and given himself a third term.

Though entirely fictional, “Civil War” has been inspiring debates since the first trailer that have extended beyond the musings of film critics and traditional reviews. This weekend, The New York Times ran two opinion pieces related to the movie, one by Stephen Marche and another by Michelle Goldberg. There were also pieces on CNN and Politico.

Going into the weekend, projections pegged the film to debut in the $15 to $24 million

range. The studio said, “Civil War” overperformed in markets “from LA to El Paso.” The data analytics company EntTelligence reported that the film has attracted over 1.7 million patrons this weekend and that the top three markets were Los Angeles, New York and Dallas.

“The title alone is enough to spark a conversation in a year where the political discourse is top of mind,” said Paul Dergarabedian, the senior media analyst for Comscore. “And they couldn’t have picked a better date. This movie is perfectly timed in a month that is very quiet.”

The film opened on 3,838 screens in the U.S. and Canada, including IMAX. It’s the most expensive movie that the studio has ever made, with a production budget of $50 million, which does not account for millions spent on marketing and promotion.

IMAX showings of “Civil War,” which was playing on 400 of the large format screens, accounted for $4.2 million, or 16.5% of the domestic total.

Reviews have been largely positive. It’s currently at 83% on Rotten Tomatoes, with a 77% audience score. Its CinemaScore was a B-, which has sometimes indicated that word of mouth might not be strong going forward. But that might not be the case with “Civil War,” which doesn’t have a tremendous amount of competition over the next few weeks until “The Fall Guy” opens on May 3.

“You have to take all the metrics together, including the competitive landscape,” Dergarabedian said.

But it is a notable win for the studio, which doesn’t always open films nationwide out of the gates. Before “Civil War,” A24’s biggest debut was the Ari Aster horror “Hereditary,” which opened to $13.6 million in 2018.

“This isn’t destined to be a $200 million global blockbuster. But it’s a very high-profile win for A24,” Dergarabedian said. “They’re a studio that pushes the envelope. They’re a brand associated with a certain level of quality and filmmaking expertise, pushing boundaries and taking risks. It’s well-earned over the years.”

Second place went to “Godzilla x Kong: The New Empire,” which earned $15.5 million in its third weekend to bring its running domestic total to nearly $158 million. Another “Empire” movie, Sony’s “Ghostbusters: Frozen Empire,” took third place in its fourth weekend with $5.8 million. It’s now at $160 million worldwide.

Rounding out the top five was Universal and DreamWorks’ “Kung Fu Panda 4,” in fourth with $5.5 million in weekend six, and “Dune: Part Two” with $4.3 million in its seventh weekend. “Dune 2” has now earned $272 million domestically.

This weekend also saw the box office year-to-date comparisons take a big hit. Last year, “The Super Mario Bros. Movie” brought in over $92 million in its second weekend in theaters. On the same weekend in 2023, the top 10 accounted for over $142 million, compared to this year’s $68.4 million. The year to date is back down to 16% after seeing some recovery with the success of “Dune: Part Two.”

“The box office has been a seesaw,” Dergarabedian said. “But we all knew this was going to be a rough month for comps because of ‘Mario.'”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Civil War,” $25.7 million.

2. “Godzilla x Kong: The New Empire,” $15.5 million.

3. “Ghostbusters: Frozen Empire,” $5.8 million.

4. “Kung Fu Panda 4,” $5.5 million.

5. “Dune: Part Two,” $4.3 million.

6. “Monkey Man,” $4.1 million.

7. “The First Omen,” $3.8 million.

8. “The Long Game,’ $1.4 million.

9. “Shrek 2,’ $1.4 million.

10. “SUGA – Agust D Tour ‘D-DAY’ The Movie,” $990,881.

[ad_2]

Entertainment

UAE students risk repeating a year if absences exceed 15 days, new rules state

Published

on

Spread the love

Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

Continue Reading

Announcements

Tickets now live for Dubai’s first homegrown musical spectacle

Published

on

Spread the love

A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

Continue Reading

Announcements

Dubai Musical Debuts with Amanda Maalouf’s Anthem

Published

on

Spread the love

In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

Continue Reading

Popular

© Copyright 2025 HEADLINE. All rights reserved

https://headline.ae/