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Prithviraj Sukumaran on his role in ‘The Goat Life’

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Mumbai (Maharashtra), April 9 (ANI): Prithviraj Sukumaran’s ‘Aadujeevitham (The Goat Life)’ did well at the box office. The actor is currently occupied with a hit film in theatres, another due this week and several more in the works, reported Variety.

‘Aadujeevitham’ (‘The Goat Life’), directed by Blessy, is based on Benyamin’s bestseller 2008 novel of the same name and portrays the actual tale of Najeeb, an immigrant labourer from Kerala who is forced into slavery on a distant goat farm in a Middle Eastern nation.

Sukumaran plays Najeeb. The film was released over the Easter weekend and has grossed USD 14 million to date. This makes it the sixth highest-grossing Malayalam film of all time.

Production began in 2018 and principal photography took place over several schedules across Kerala, Jordan and Algeria.

“I knew as an actor that this was a prerequisite, that to portray the entire character arc, I’d have to go through this drastic physical transformation of losing a lot of weight and looking very emaciated,” Sukumaran told Variety. The actor increased his weight to 98 kilos for the Kerala part of the shoot and for the scenes where he first arrives in the Middle East. The production then paused for seven months while Sukumaran shed 31 kilos. “I surprised myself and everyone in the film crew, because when I landed up the next time in Jordan, I was almost unrecognisable,” Sukumaran said.

The actor did not anticipate COVID-19, which halted the filming immediately after a scene where his emaciated body was revealed, leaving the team stuck in locked-down Jordan for months. They ultimately returned after a year and a half, during which Sukumaran had to acquire weight to remain healthy.

“But then I had to redo the whole thing. I didn’t count on having to do the whole weight loss transformation process two times, which I ended up having to do – because it’s a trap. Once you get to that level and you do a portion of the film, then it almost becomes like a thought process in your head. ‘No, I can’t let it go.’ I put in so much effort. I can’t let all that go to waste,” Sukumaran said, as per Variety.

“I know a lot of the [media] focus is on the physical transformation, but that is only a small part of the portrayal. At the very beginning, I had thought of the entire arc. And I had told Blessy-sir that it was going to be impossible for me as an actor to look at it as one long, singular character,” Sukumaran said.

As per Variety, the actor and director divided the character’s journey into a timeline of three weeks, three months and three years. “Once we had the idea and the timeline in mind, then it was up to me as an actor to interpret what the mental, emotional journey would be. Which is where we landed on this idea of helplessness, anger, and then coming to terms with the existence,” Sukumaran said. The plan is now for “The Goat Life” to take a shot at the Oscars.

Sukumaran is currently wrapping Vipin Das’ Malayalam-language comedy ‘Guruvayoor Ambalanadayil’, produced by his own Prithviraj Productions. The Kerala-based Malayalam-language film industry, where Sukumaran hails from, is known for its efficient budgets and focus on story over spectacle and is consequently the toast of India.

Three Malayalam films, ‘Manjummel Boys’, ‘Premalu’, and ‘The Goat Life’ (which debuted sixth in the United Kingdom), are among the top ten highest-grossing Indian films of 2024.

Sukumaran attributes the industry’s success to a plethora of new-age filmmakers, writers, actors, and producers who are daring in their approach to cinema and an audience that responds to those aesthetics, as well as the establishment of a distribution network that takes films beyond Kerala to the rest of the world.

“I hope we don’t lose sight of the fact that what originally made us so good is that we stuck to our strengths of saying original, real stories and within our own aesthetics, even when you look at mainstream commercial cinema of Malayalam,” Sukumaran said.

“I hope this newfound success across territories does not put filmmakers in a zone of thinking, ‘now we have to make cinema that will also cater to them,’ because the films that started catering to them in the first place are still Malayalam cinema. So, I hope we stick to what we know best and not let money affect our thinking,” reported Variety. (ANI)

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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