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A TikTok Jesus promises divine blessings and many worldly comforts

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The TikTok profile Daily Believer (@believerdaily) has 70 videos with computer-generated Jesuses looking directly at the viewer, beseeching them to stop scrolling and watch the next minute’s worth of content.

All these Jesuses are long-haired and bearded, recalling artist Warner Sallman’s ubiquitous 1940 painting “Head of Christ.” Some wear the crown of thorns, some look alarmingly like the actor Jared Leto. Nearly all promise a surprise or “good news soon” in exchange for the viewer liking, commenting “Amen” or sharing it with their friends and family. With this digital outreach, the Daily Believer has gained, as of Nov. 13, 2023, 813,200 followers and over 9.2 million likes.

As a scholar of religion in the U.S. and its intersection with popular culture, I have been studying the ways American Christians use media and popular culture to perform religious work and evangelical outreach for the past 13 years. I argue that this TikTok phenomenon, in which viewers are promised good luck for sharing, liking and commenting on videos of a computer-generated Jesus, is close to what is known as the prosperity gospel – that is, a Christian belief that God will reward faith with this-worldly comforts, like health and wealth.

Computer-generated Jesus

Welcome Jesus into Your Home” is among the Daily Believer’s most popular videos, with over 22.2 million subscribers. According to the computer-generated Jesus, if the viewer believes in God, they must share this video with their friends and family and comment “I believe.”

If they do, they will receive a blessing within an hour. If they do not, computer-generated Jesus issues a thinly veiled threat of damnation by quoting Matthew 3:10, which has John the Baptist saying, “Even now the ax is lying at the root of the trees; every tree therefore that does not bear good fruit is cut down and thrown into the fire.”

It is a TikTok chain letter – one whose creator can be monetarily compensated, by TikTok, between 2 cents and 4 cents for every 1,000 views. For example, “Welcome Jesus into Your Home” could have earned the creator $900 from TikTok views alone, with the possibility for additional money earned on sites like Facebook Reels.

It is simple and effective. While the Daily Believer’s views are dwarfed by TikTok megastars like socialite Kylie Jenner and social media personality Khaby Lame, its engagement percentages are much higher, receiving some form of engagement from about one out of every four viewers.

Whether or not there are religious motivations underlying the Daily Believer’s desire for viewer engagement, there are monetary benefits for sure. The TikTok Creator Fund pays creators who have over 10,000 authentic followers based on the number of views, comments and sharing.

Faith equals wealth and health

Religious and monetary motivations are not mutually exclusive. In fact, their union is key to one of the more popular recent developments in American and global Christianity – the prosperity gospel, a subsection of Charismatic Christianity that says God will ensure followers’ material wealth and happiness as long as they believe in God.

The closest nonreligious analogy to the Daily Believer’s content is the chain letter where the recipient is promised good luck for forwarding and curses for breaking the chain. Such letters had their heyday in the mid-20th century as paper letters and in the late 1990s and early 2000s as emails and social media posts.

Two of the United States’ most famous preachers, T.D. Jakes and Joel Osteen, teach that individual faith in God will be rewarded by God in the form of material wealth and health.

However, the Daily Believer further simplifies this formula. Viewers don’t really need to have a specific set of Christian beliefs to participate and benefit. All that they need to do is to say “I believe” and share the content with friends and family.

Turning likes and shares into cash

This lack of denominational-specific beliefs allows for the widest possible engagement with a wider Christian community.

The TikTok videos can appeal to a spectrum of Christian groups that may have theological, ethical and social disagreements.

Additionally, the Daily Believer’s requests for social media engagement is analogous to the prosperity gospel’s idea of tithing. In the prosperity gospel, tithing – the donation of a portion of your income to the church – is framed as “seed faith,” a monetary investment to demonstrate a person’s faith, and lack of faith will be punished as surely as faith is to be rewarded.

Seed faith and engagement with the Daily Believer’s TikTok videos have the same ritualistic function – give a little time, money or effort to get even more material rewards. They also both serve to make the person behind the request wealthier or increase their cultural clout.

By framing these requests as coming directly from the Son of God, not the influencer or content creator, the Daily Believer has made engagement with its social media religious work, which comes with a promise of divine reward in the here and now. It has transformed like-farming – the social media phenomenon of asking for viewer engagement – into the word of God.

Use of Jesus’ image

At the same time, it is difficult to see the Daily Believer’s content as having a missionary or outreach function. It seems aimed at those who would already consider themselves Christian and offers little in the way of persuasion or explanation of why someone should be a Christian.

The Daily Believer is not the only TikTok profile engaged in a type of “smash that like button if you love Jesus” content production. Within the larger phenomena of #ChristianTikTok, there are multiple profiles engaged in theological discussion and doctrinal issues. There are even more profiles that forgo discussion in favor of performing praise and worship.

The use of Jesus’ image as the deliverer of the message is more unique.

But the Daily Believer, with its digital Jesus and its bare-bones gospel of “Believe,” serves as an example of a new expression of an ancient religious motivation – the securing of this-worldly health, wealth and reward in exchange for following the will of the deity or deities.

Author: Brandon Dean – Visiting Assistant Professor of Religious Studies, University of Iowa The Conversation

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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Philippine film legend Nora Aunor passes away at 71

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Veteran actress, politician and beloved superstar Nora Aunor has passed away at the age of 71.

Her son, Ian De Leon, confirmed the sad news in a Facebook post on Tuesday, 16 April 2025. Sharing a photo of his late mother, he wrote:

“With deep sorrow and heavy hearts, we share the passing of our beloved mother, Nora C. Villamayor ‘Nora Aunor’ who left us today at the age of 71. She was the heart of our family,  a source of unconditional love, strength, and warmth. Her kindness, wisdom, and beautiful spirit touched everyone who knew her. She will be missed beyond words and remembered forever.”

The late star’s wake will be held at The Chapels, Heritage Park in Taguig, according to her daughter and fellow actress Lotlot de Leon.

A National Treasure

In 2022, Nora Aunor was officially recognised as a National Artist for Film and Broadcast Arts by the Philippine government, the highest honour given to individuals who have made a lasting impact on the country’s arts and culture. She was honoured alongside screenwriter Ricky Lee and the late director Marilou Diaz-Abaya.

Cause of Death

Neither the 71-year-old’s family nor authorities have confirmed a cause of death yet. However, according to the media outlet Inquirer.com, she was at a Pasig hospital for an undisclosed procedure.

Career Highlights

Nora Aunor rose to fame as a singer and actress, later becoming one of the most respected names in Philippine cinema. She is best known for her award-winning performance in the critically acclaimed film Himala.

Her most recent film appearance was in Mananambal, alongside actress Bianca Umali. On television, her final role was in the GMA Afternoon Prime series Lilet Matias: Attorney-at-Law.

A true icon, Nora Aunor leaves behind a rich legacy and a nation in mourning.

Tributes Pour In

“Every tear she shed onscreen felt like a collective heartbreak. Every line she delivered became etched in the memory of Philippine cinema… Nora, salamat sa sining. Salamat sa puso,” wrote Charo Santos-Concio said in her post.

“Despite her legendary status, she carried herself with such modesty — confident in her craft, yet never boastful,” Actress Lovi Poe said in her post.

“The FDCP mourns the passing of National Artist Nora Aunor — an icon, a legend, and a voice that captured the soul of a nation. Her performances were never just roles; they were reflections of truth, hope, and resilience,’ wrote The national film council of the Philippines.

“We extend our deepest condolences to the family, friends, fans, and every Filipino soul mourning the loss of our beloved Superstar and National Artist,” said noted social activist Persida Rueda-Acosta.

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