Connect with us

Entertainment

Beyonce’s Renaissance Tops Box Office With $21 Million Debut

Published

on

[ad_1]

Beyonce ruled the box office this weekend. Her concert picture, “Renaissance: A Film by Beyonce,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.

The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance’ defied the odds. Not accounting for inflation, it’s the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).

Beyonce wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the U.S. and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters.

“On behalf of AMC Theaters Distribution and the entire theatrical industry, we thank Beyonce for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theaters executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.’

Despite several other new releases including “Godzilla Minus One,” the Hindi-language “Animal,’ Angel Studios’ sci-fi thriller “The Shift,’ and Lionsgate’s John Woo-directed revenge pic “Silent Night,’ it was a slow weekend overall. Films in the top 10 are expected to gross only $85 million in total. But it was in this traditional “lull” that AMC Theaters found a good opportunity for “Renaissance” to shine.

“They chose a great weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “There was competition, but it was from very different kinds of movies.”

Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.

FILE - Taylor Swift attends a premiere for Taylor Swift: The Eras Tour, in Los Angeles. FILE – Taylor Swift attends a premiere for Taylor Swift: The Eras Tour, in Los Angeles.

The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.

Both Beyonce and Swift chose to partner with AMC Theaters to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.

Movie tickets to the show were more expensive than average, around $23.32 versus Swift’s $20.78, according to data firm EntTelligence.

Critics and audiences gave ‘Renaissance’ glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift’s.

‘To have two concert films topping the chart in a single year is pretty unprecedented,” Dergarabedian said. But to compare them too closely would be a mistake.

“Taylor Swift was a total outlier and the result of a very specific set of circumstances,” he said. “These two films are similar in genre only.”

Lionsgate’s “The Hunger Games: The Ballad of Songbirds & Snakes” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.

“Godzilla Minus One’ took third place on the North American charts with $11 million from 2,308 locations – the biggest opening for a foreign film in the U.S. this year. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan.

“This year, we made a concentrated effort to answer the demand of the marketplace and make Godzilla globally accessible across many different platforms,” said Koji Ueda, President of Toho Global, in a statement.

“Trolls Band Together” landed in fourth place in its third weekend with $7.6 million, bringing its domestic total to $74.8 million.

Fifth place went to Disney’s “Wish,” which fell 62% from its underwhelming first weekend, with $7.4 million from 3,900 locations. Globally, it’s now made $81.6 million.

The studio’s other major film in theaters, “The Marvels” is winding down in its fourth weekend with a disastrous global tally of $197 million against the reported $300 million it cost to make and market the superhero film.

In its second weekend, Ridley Scott’s “Napoleon” earned an estimated $7.1 million from 3,500 locations. Produced by Apple Original Films and distributed by Sony Pictures, the film starring Joaquin Phoenix has now made $45.7 million domestically against a $200 million budget.

Things should pick up in the final weeks of 2023, with films like “Wonka” and “The Color Purple” yet to come. The industry is looking at a $9 billion year – still trailing the $11 billion pre-pandemic norm, but a marked improvement from the last few years. And there are still many solid options for moviegoers, as the industry’s awards season gets into full swing.

“We had a slow Thanksgiving and we’re having a pretty slow weekend this weekend, but it’s a great weekend to be a moviegoer in terms of the breadth and depth of the movies out there,” Dergarabedian said.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Renaissance: A Film by Beyonce,” $21 million.

2. “The Hunger Games: The Ballad of Songbirds & Snakes,” $14.5 million.

3. “Godzilla Minus One,” $11 million.

4. “Trolls Band Together,” $7.6 million.

5. “Wish,” $7.4 million.

6. “Napoleon,” $7.1 million.

7. “Animal,” $6.1 million.

8. “The Shift,” $4.4 million.

9. “Silent Night,” $3 million.

10. “Thanksgiving,” $2.6 million.

[ad_2]

Entertainment

OSCAR SHOCKS AND SURPRISES: WHO IS LIKELY TO WIN BIG ON HOLLYWOOD’S BIGGEST NIGHT

Published

on

On the big screen, Deadpool clashed with Wolverine in a spectacle that set social media abuzz, while animated darling Inside Out 2 stormed the box office — leaving Joker’s sequel in its shadow. Off-camera, there was more drama as Blake Lively and Justin Baldoni found themselves locked in a bitter legal feud.

The off-screen action, however, didn’t stop there. There were debates over The Brutalist’s daring use of AI and Anora’s controversial decision to forgo an intimacy coordinator sparked plenty of heated exchanges on social media.

As the Academy Awards draw near on Sunday, March 2,  2025, the anticipation is palpable. We look at some of the possible winners on Hollywood’s biggest night.

Best Picture: Anora leads, but there others 

Anora is just barely ahead—but only by a hair. Why? A string of major wins, including the Critics Choice, Producers Guild, and Directors Guild Awards, put it in prime position. But rivals like Conclave and The Brutalist are lurking. We could see a historic upset here.

Best Director: Close fight between Sean Baker and Brady Corbet

Two directors, one golden statuette. Sean Baker (Anora) and Brady Corbet (The Brutalist) are neck and neck. But history favours Baker, thanks to the Directors Guild Awards’ near-flawless Oscar track record. Still, nothing is certain.

Best Actor: Both Adrien Brody and Timothée Chalamet are in the race

Adrien Brody (The Brutalist) was cruising toward his second Oscar—until Timothée Chalamet (A Complete Unknown) crashed the party with a major SAG win! Brody is still the favourite, but don’t be shocked if Chalamet pulls off a dramatic last-minute upset.

Best Actress: Demi Moore has a fair chance 

Demi Moore (The Substance) has swept the Golden Globes, Critics Choice, and SAG Awards. But with Anora’s Mikey Madison taking the BAFTA and I’m Still Here’s Fernanda Torres still in play, Moore’s victory lap could be premature.

Best Supporting Actor: Could Kieran Culkin lose?

Kieran Culkin (A Real Pain) has dominated awards season. Could someone else steal the statue? Sure. But at 87.7% likelihood, this one looks locked in.

Best Supporting Actress: This could be a clean sweep for Zoe Saldana 

Despite chatter that controversy around Emilia Pérez could hurt her chances, Zoe Saldaña is sweeping through the competition. The numbers say she’s almost certain to take home gold.

Best Animated flick: The Wild Robot could go for gold

Chris Sanders has been nominated four times — but never won. At 55 per cent, The Wild Robot is the favourite. But Flow and Wallace & Gromit: Vengeance Most Fowl are still in the game.

Best International movie: A twist in the tale

Emilia Pérez was expected to dominate — but controversy, critic-audience divides, and I’m Still Here gaining ground could mean a shocking upset.

Final Thoughts: Who will win, who’ll lose

There’s no such thing as a sure thing at the Oscars — but if the data is right, expect major moments, potential heartbreaks, and perhaps a few historic wins.

(Source: Hollywood Reporter, BBC)

Continue Reading

Entertainment

Bollywood power couple Govinda’s marriage on the rocks after 40 years

Published

on

Continue Reading

Entertainment

Salman Khan’s ‘Nepotism’ Joke Steals the Show at Nephew Ayaan’s Song Launch in Dubai

Published

on

Salman Khan has never been one to hold back, and at a recent event in Dubai, he added his signature dose of humour to the oft-debated topic of nepotism in Bollywood. The superstar, fondly known as Sallubhai, was in town to launch his nephew Ayaan Agnihotri’s debut song, “Universal Laws”, and in true Salman style, he had the audience in splits with his witty remark.

As Dubai’s DJ Bliss – who hosted the event – praised the Khan family for their unwavering support for Ayaan, Salman quipped, “That’s what nepotism is!” His playful jab left everyone in the room in splits.

And as the crowd cheered, Salman officially launched the song, marking Ayaan’s much-anticipated entry into the music world.

A Star-Studded Affair

The event turned into a Bollywood reunion, with stars like Arbaaz Khan, Sohail Khan, Neha Dhupia, Angad Bedi, and other celebrities coming together to celebrate Ayaan’s big moment.

During his speech, Salman highlighted that Ayaan, the son of Atul Agnihotri and Alvira Khan Agnihotri (Salman’s sister), hails from a family of seasoned film producers. He also mentioned that Ayaan’s cousin, Alizeh Agnihotri, who recently made her Bollywood debut, shares the same film-driven lineage.

Ayaan and Salman’s Previous Collaboration

This isn’t the first time the uncle-nephew duo has joined forces. Salman and Ayaan previously worked together on the track, “You Are Mine”, where the young artist showcased his rap skills alongside the Bollywood megastar. The song, composed by Vishal Mishra, became a talking point among fans.

Salman & Sanjay Dutt Spotted in Saudi Arabia

Meanwhile, Salman is keeping busy with multiple projects. A recent video circulating on social media showed him and actor Sanjay Dutt filming on the streets of Saudi Arabia. The clip, shared by an X user, captured the two actors casually chatting with crew members.

The buzz is that Salman and Sanjay are working on a cameo appearance in the Bollywood remake of the 2021 Argentine film Seven Dogs. While details remain under wraps, fans are excited to see the duo share screen space again.

From family celebrations in Dubai to shooting in Saudi Arabia, Salman Khan is proving yet again that his star power knows no boundaries.

(Inputs from Hindustan Times, Zee News)

Continue Reading

Popular

© Copyright 2025 HEADLINE. All rights reserved

https://headline.ae/