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Top 3 ‘Red Westerns’ from the Soviet Union

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The Wild West in the USSR was invariably filmed in Crimea, with Cuban students typically invited to play Mexicans or black slaves.

The popularity of Westerns in the 20th century went far beyond the United States. Movies about brave cowboys, vile bandits and ruthless Indians were made all around the world.

Westerns also made their way behind the Iron Curtain. In the USSR, this genre was reimagined, with the so-called ‘Eastern‘ movies being created. The setting was transferred from the Wild West to Russia engulfed in the Civil War and the ‘Red’, ‘White’ and various rebels and anarchists of that era replaced the cowboys, bandits and indians.

However, Soviet filmmakers also paid homage to classic cowboy stories. Below, we list the top three ‘Red Westerns’ from the USSR.

1. ‘The Headless Horseman’ (1973)

Vladimir Vainstock/Lenfilm, Instituto Cubano del Arte e Industrias Cinematograficos, 1973

Mid-19th century Texas. Louise Poindexter, the daughter of a rich planter, falls in love with a poor mustanger (trapper of wild horses for sale) named Maurice Gerald.

The young man is suspected of kidnapping and murdering the girl’s brother, Henry. Adding to the mystery of the whole story is the fact that when Henry disappeared without a trace, a grim headless horseman suddenly appeared in the neighborhood…

The Soviet-Cuban movie is an adaptation of a novel of the same name by Irish-American writer Mayne Reid. The filming mainly took place in Crimea. The Texas prairies were recreated by tinting grass and “planting” plastic cacti, while the cotton plantations were recreated by scattering absorbent cotton everywhere.

Some of the main roles were played by Cuban actors and extras were found right on the spot in Crimea. Black slaves, meanwhile, were played by Cuban students from Simferopol.

‘The Headless Horseman’ was seen by almost 52 million people. It took the 33rd place on the list of the most popular movies in the history of Soviet cinema.

2. ‘Armed and Very Dangerous’ (1977)

Vladimie Vainstock/Gorky Film Studio, 1978

The Wild West in the late 19th century. A gold miner by the name of Gabriel Conroy gets his hands on a map that can help him get to large deposits of gold. But, Peter Dumphy, a violent and dangerous robber, gets in his way.

‘Armed and very dangerous’ was filmed based on the works of American writer Bret Garth – a great connoisseur of the California Gold Rush era. He is considered to be one of the founders of the Western genre in literature.

There is a rare (for Soviet movie industry) bed scene in the movie. Although it’s not particularly explicit, actress and singer Lyudmila Senchina, who starred in it, became an object of adoration for millions of Soviet men after the movie premiere.

Dissatisfied women, in turn, penned complaints to officials: “While children starve in Honduras, Senchina seduces our husbands and sons! And we used to trust her so much!”

‘Armed and Very Dangerous’ was also filmed in Crimea. The movie was seen by over 39 million people in total and it became the major number one Soviet box office hit in 1978.

3. ‘A Man from the Boulevard des Capucines’ (1987)

Alla Surikova/Mosfilm, 1987

The Wild West at the turn of the 19th-20th centuries. Cinema popularizer and true gentleman Johnny Fest comes to the backwater town of Santa Carolina to introduce it to this incredible achievement of civilization.

The locals are steeped in drunkenness and cruelty, but Fest is confident – cinema will help him successfully re-educate them.

‘A Man from the Boulevard des Capucines’ is a unique movie for Soviet cinema, as it combines certain elements of a Western, comedy and musical.

Originally, it was titled: ‘Ten Drops Before Shooting’. However, because of the anti-alcohol campaign, which was underway in the country, it was changed.

In line with the already well established tradition, the filming also took place in Crimea. On its outside, Santa Carolina looked like a real city of the Wild West era, although, in reality, it was a number of facades, propped up with pillars from behind. Once, they were nearly blown away into the Black Sea by the wind.

‘A Man from the Boulevard des Capucines’ sits 36th on the list of the all-time Soviet box office hits and was seen over 50 million times after its premier in 1987.

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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