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5 reasons to watch Better than Us, Netflix’s Russian TV show

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The sci-fi series has surpassed ‘Black Mirror’ and ‘Sexl Education’ in overall views. Bought by Netflix in 2019, it still manages to retain popularity among the streaming giant’s boundless library.

1. One of the main subjects is the issue of AI, which is becoming ever more salient today

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

According to the story, in the near future, androids establish a solid presence in our everyday lives, completely freeing humanity from routine and menial tasks. Many even have the ability to convincingly replicate human emotions. The next generation is about to emerge, bridging the gap even more: the androids can not only accurately read and react to human emotions, but are also capable of independent decision making.

Naturally, many are against such proliferation of artificial intelligence and a new luddite movement begins to emerge – the Liquidators – tasked with exterminating the androids, despite the latter being virtually harmless, as they are programmed to follow the famous laws established by Isaac Asimov, precluding them from causing harm to any living being. Nevertheless, the scale of these liquidations only grows and a human is even killed during an operation.

However, human superiority could soon face a real challenge. One day, a faulty android shows up in Moscow (played by Paulina Andreeva, whom you might recognize from ‘The Method’ – another popular Russian TV show). Despite her deceptively frail appearance, Arisa is one of a kind – not only sentient and capable of something resembling free will, but also possessing the belief that it’s OK to kill a human.

2. The cast is composed of stars from ‘To the Lake’ – another international hit TV show that has also beat ‘Rick and Morty’ on Netflix

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

In ‘To the Lake’ (2020), actor Kirill Kyaro played a stepfather to an autistic boy (played by Eldar Kalimulin). The two had to find a way to communicate, as the world was being brought to its knees by a pandemic of unknown origins, threatening life on Earth as we know it. There are no pandemics in ‘Better than Us’ – Kyaro plays an actual father, but the setting is somewhat similar.

After divorcing his wife, Safronov (Kayro) barely gets to see his children, the prickly teenage son (played by Kalimulin) and daughter (Vita Kornienko). However, he gets an opportunity to change that, as the two briefly end up in his care. The situation is made more complex by the presence of the “sentient” Arisa. The android isn’t too fond of the role of babysitter and she wishes to become a full-fledged mother to the family, with no one any the wiser to what she’s actually capable of.

3. The story doesn’t simply take place in the near future, but in an alternate reality, as well

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

The show’s writers confessed their long struggle with wanting to create an entirely alternate universe – one that’s both original, visually appealing and not too expensive to realize. An elegant solution was formulated as a result. The Moscow we see on screen resembles the one we know today, with similar car models, albeit with plenty of drones and overpasses that resemble those of Tokyo. It’s the separate details that look futuristic: there are things like holographic traffic lights; gone are the smart bracelets and Fitbits – all notifications are projected straight onto the skin; and, instead of paper, people use transparent film and so on.

The main technological innovation is, of course, the androids, surpassing every other technological sphere by several orders of magnitude. The imbalance is explained by director Andrey Dzhunkovsky as arising out of the fact that this is, indeed, an alternate reality, wherein progress took a different turn: “For instance, [it’s about] what would happen if more resources and scientific research in the 1950s were directed toward robotics.”

4. The ‘human-like’ androids are quite peculiar & resemble dolls

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

Among the references used by the artists were vintage Soviet dolls with huge eyes. Makeup was applied to the actors’ skin In order to enhance the unnatural look of the androids, complete with fake-looking wigs and color lenses, as well as CGI, to make the eyes bulge even more (glowing lenses exist, but were considered unsafe, due to their alleged negative effects on eyesight).

The robot’s movements were, likewise, choreographed to look different to the kind we’re used to seeing in sci-fi projects of this sort: they glide gently, but still in ways that don’t resemble humans. Choreographer Maksim Yurov says he drew inspiration from breakdancers.

5. ‘Better than Us’ set a new precedent for the Russian entertainment industry, after becoming the first Russian project to be purchased by Netflix for its ‘Originals’ lineup

Andrei Dzhunkovskiy/Yellow, Black and White, Sputnik Vostok Production, 2018

More deals followed after the success of Dzhunkovsky’s TV show: Netflix Originals acquired ‘To the Lake’, the movies ‘Silver Skates’ (2020) and ‘Major Grom: Plague Doctor’ (2021), as well as the animated movie ‘Secret Magic Control Agency’ (2021).

Of course, aside from high cinematic standards and top production, ‘Better than Us’ wins thanks to a story that could easily happen in real life and involves an important modern issue, although its historical trajectory takes a different turn to what audiences saw in similar shows, such as the British ‘Humans’ (2013-2018) and the Swedish ‘Real Humans’ (2012-2014).

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Entertainment

UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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