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Actor Ryan O’Neal, Star of ‘Love Story,’ ‘Paper Moon’ Dies at 82

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LOS ANGELES – Ryan O’Neal, the heartthrob actor who went from a TV soap opera to an Oscar-nominated role in Love Story and delivered a wry performance opposite his charismatic 9-year-old daughter, Tatum, in Paper Moon, died Friday, his son said.

‘My dad passed away peacefully today, with his loving team by his side supporting him and loving him as he would us,’ Patrick O’Neal, a Los Angeles sportscaster, posted on Instagram.

Attempts to reach O’Neal representatives were not immediately successful.

No cause of death was given. Ryan O’Neal was diagnosed with prostate cancer in 2012, a decade after he was first diagnosed with chronic leukemia. He was 82.

‘My father, Ryan O’Neal, has always been my hero,’ Patrick O’Neal wrote, adding, ‘He is a Hollywood legend. Full stop.’

O’Neal was among the biggest movie stars in the world in the 1970s, working across genres with many of the era’s most celebrated directors including Peter Bogdanovich on Paper Moon and What’s Up, Doc? and Stanley Kubrick on Barry Lyndon. He often used his boyish, blond good looks to play men who hid shadowy or sinister backgrounds behind their clean-cut images.

O’Neal maintained a steady television acting career into his 70s in the 2010s, appearing for stints on Bones and Desperate Housewives, but his longtime relationship with Farrah Fawcett and his tumultuous family life kept him in the news.

FILE - Actor Ryan O'Neal and longtime companion Farrah Fawcett arrive at the New York premiere of O'Neal's new movie, 'Chances Are,' March 6, 1989. FILE – Actor Ryan O’Neal and longtime companion Farrah Fawcett arrive at the New York premiere of O’Neal’s new movie, ‘Chances Are,’ March 6, 1989.

Twice divorced, O’Neal was romantically involved with Fawcett for nearly 30 years, and they had a son, Redmond, born in 1985. The couple split in 1997 but reunited a few years later. He remained by Fawcett’s side as she battled cancer, which killed her in 2009 at age 62.

With his first wife, Joanna Moore, O’Neal fathered actors Griffin O’Neal and Tatum O’Neal, his co-star in the 1973 movie Paper Moon, for which she won an Oscar for best supporting actress. He had son Patrick with his second wife, Leigh Taylor-Young.

Ryan O’Neal had his own best-actor Oscar nomination for the 1970 tear-jerker drama Love Story, co-starring Ali MacGraw, about a young couple who fall in love, marry and discover she is dying of cancer. The movie includes the memorable, but often satirized line: ‘Love means never having to say you’re sorry.’

The actor had at times strained relationships with three of his children, including estrangement from his daughter, squabbles with son Griffin and a drug-related arrest sparked by a probation check of his son Redmond. The personal drama often over-shadowed his later career, although his attempts to reconcile with Tatum O’Neal were turned into a short-lived reality series.

Love Story is what made him a movie star.

The romantic melodrama was the highest-grossing film of 1970, became one of Paramount Pictures’ biggest hits and collected seven Oscar nominations, including one for best picture. It won for best music.

O’Neal then starred for Bogdanovich as a bumbling professor opposite Barbra Streisand in the 1972 screwball comedy What’s Up, Doc?

‘So sad to hear the news of Ryan O’Neal’s passing,’ Streisand, who also starred with O’Neal in the 1979 boxing romcom The Main Event, posted on Instagram. ‘He was funny and charming, and he will be remembered.’

The year after What’s Up, Doc? Bogdanovich cast him in the Depression-era con artist comedy Paper Moon.

In it, O’Neal played an unscrupulous Bible salesman preying on widows he located through obituary notices. His real-life daughter, Tatum, played a trash-talking, cigarette-smoking orphan who needs his help – and eventually helps redeem him.

Although critics praised both actors, the little girl’s brash performance overshadowed her father’s and made her the youngest person in history to win a regular Academy Award. She was 10 when the award was presented in 1974.

The elder O’Neal’s next major film was Kubrick’s 18th century epic Barry Lyndon, in which he played a poor Irish rogue who traveled Europe trying to pass himself off as an aristocrat.

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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