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1 in 3 people are lonely. Will AI help, or make things worse?

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ChatGPT has repeatedly made headlines since its release late last year, with various scholars and professionals exploring its potential applications in both work and education settings. However, one area receiving less attention is the tool’s usefulness as a conversationalist and – dare we say – as a potential friend.

Some chatbots have left an unsettling impression. Microsoft’s Bing chatbot alarmed users earlier this year when it threatened and attempted to blackmail them.

Yet pop culture has long conjured visions of autonomous systems living with us as social companions, whether that’s Rosie the robot from The Jetsons, or the super-intelligent AI, Samantha, from the 2013 movie Her. Will we develop similar emotional attachments to new and upcoming chatbots? And is this healthy?

While generative AI itself is relatively new, the fields of belonging and human-computer interaction have been explored reasonably well, with results that may surprise you.

Our latest research shows that, at a time when 1 in 3 Australians are experiencing loneliness, there may be space for AI to fill gaps in our social lives. That’s assuming we don’t use it to replace people.

Can you make friends with a robot?

As far back as the popularisation of the internet, scholars have been discussing how AI might serve to replace or supplement human relationships.

When social media became popular about a decade later, interest in this space exploded. The 2021 Nobel Prize-winning book Klara and the Sun explores how humans and life-like machines might form meaningful relationships.

And with increasing interest came increasing concern, borne of evidence that belonging (and therefore loneliness) can be impacted by technology use. In some studies, the overuse of technology (gaming, internet, mobile and social media) has been linked to higher social anxiety and loneliness. But other research suggests the effects depend greatly on who is using the technology and how often they use it.

Research has also found some online roleplaying game players seem to experience less loneliness online than in the real world – and that people who feel a sense of belonging on a gaming platform are more likely to continue to use it.

All of this suggests technology use can have a positive impact on loneliness, that it does have the potential to replace human support, and that the more an individuals uses it the more tempting it becomes.

Then again, this evidence is from tools designed with a specific purpose (for instance, a game’s purpose is to entertain) and not tools designed to support human connection (such as AI “therapy” tools).

The rise of robot companions

As researchers in the fields of technology, leadership and psychology, we wanted to investigate how ChatGPT might influence people’s feelings of loneliness and supportedness. Importantly, does it have a net positive benefit for users’ wellbeing and belonging?

To study this, we asked 387 participants about their usage of AI, as well as their general experience of social connection and support. We found that:

  • participants who used AI more tended to feel more supported by their AI compared to people whose support came mainly from close friends
  • the more a participant used AI, the higher their feeling of social support from the AI was
  • the more a participant felt socially supported by AI, the lower their feeling of support was from close friends and family
  • although not true across the board, on average human social support was the largest predictor of lower loneliness.

Read more: I tried the Replika AI companion and can see why users are falling hard. The app raises serious ethical questions

AI friends are okay, but you still need people

Overall our results indicate that social support can come from either humans or AI – and that working with AI can indeed help people.

But since human social support was the largest predictor of lower loneliness, it seems likely that underlying feelings of loneliness can only be addressed by human connection. In simple terms, entirely replacing in-person friendships with robot friendships could actually lead to greater loneliness.

Having said that, we also found participants who felt socially supported by AI seemed to experience similar effects on their wellbeing as those supported by humans. This is consistent with the previous research into online gaming mentioned above. So while making friends with AI may not combat loneliness, it can still help us feel connected, which is better than nothing.

Read more: AI can already diagnose depression better than a doctor and tell you which treatment is best

The takeaway

Our research suggests social support from AI can be positive, but it doesn’t provide all the benefits of social support from other people – especially when it comes to loneliness.

When used in moderation, a relationship with an AI bot could provide positive functional and emotional benefits. But the key is understanding that although it might make you feel supported, it’s unlikely to help you build enough of a sense of belonging to stop you from feeling lonely.

So make sure to also get out and make real human connections. These provide an innate sense of belonging that (for now) even the most advanced AI can’t match.

Acknowlegement: the authors would like to acknowledge Bianca Pani for her contributions to the research discussed in this article.

Authors: Michael Cowling – Associate Professor – Information & Communication Technology (ICT), CQUniversity Australia | Joseph Crawford – Senior Lecturer, Management, University of Tasmania | Kelly-Ann Allen – Associate Professor, School of Educational Psychology and Counselling, Faculty of Education, Monash University The Conversation

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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