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Blue Beetle Unseats Barbie at Box Office, Ending Its 4-Week Reign

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New York – The DC superhero film “Blue Beetle” led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning “Barbie” from the top spot after a record-setting run that left movie theaters colored pink for a month.

The “Barbie” phenomenon is far from over. Greta Gerwig’s film, which earlier this week became the highest grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It’s up to $567.3 million in North America and an eye-popping $1.28 billion globally.

The other half of “Barbenheimer” also continues to perform remarkably well for a movie so far into its run.

Christopher Nolan’s “Oppenheimer” took in $10.6 million in its fifth week. With a $285.2 million domestic total, “Oppenheimer” now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016’s “Sing,” which grossed $270.3 million in the shadow of “Rogue One: A Star Wars Story” and “Hidden Figures.”

Universal Pictures’ “Oppenheimer” has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday.

“Blue Beetle,’ starring Xolo Mariduena, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put “Blue Beetle,” the first DC movie to star a Latino superhero, into theaters in the late summer, a typically quiet period at the box office.

The production price tag of about $105 million was lower for “Blue Beetle” than the average superhero film. It’s one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins of last year.

The film, directed by Angel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year (“The Flash,” “Black Adam” and “Shazam! Fury of the Gods”). “Blue Beetle” (76% fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and center.

But it also faced some tough luck, and not just in the unexpected staying power of “Barbie” and “Oppenheimer.” Southern California was bracing Sunday for Hurricane Hilary – potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, “Blue Beetle,’ which added $18 million internationally, didn’t have its cast available to promote the movie due to the ongoing actors strike.

Universal’s raunchy R-rated canine comedy “Strays” showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theaters in recent years, but “Strays” had it particularly rough given that its starry cast was unavailable.

“Strays” was very narrowly bested by “Teenage Mutant Ninja Turtles: Mutant Mayhem.’ The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. ‘Blue Beetle,’ $25.4 million.

2. “Barbie,” $21.5 million.

3. “Oppenheimer,” $10.6 million.

4. “Teenage Mutant Ninja Turtles: Mutant Mayhem,’ $8.4 million.

5. “Strays,” $8.3 million.

6. “Meg 2: The Trench,” $6.7 million.

7. “Talk to Me,” $3.2 million.

8. “Haunted Mansion,” $3 million.

9. “Mission: Impossible – Dead Reckoning Part One,” $2.7 million.

10. “The Last Voyage of the Demeter,” $2.5 million.

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OSCAR SHOCKS AND SURPRISES: WHO IS LIKELY TO WIN BIG ON HOLLYWOOD’S BIGGEST NIGHT

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On the big screen, Deadpool clashed with Wolverine in a spectacle that set social media abuzz, while animated darling Inside Out 2 stormed the box office — leaving Joker’s sequel in its shadow. Off-camera, there was more drama as Blake Lively and Justin Baldoni found themselves locked in a bitter legal feud.

The off-screen action, however, didn’t stop there. There were debates over The Brutalist’s daring use of AI and Anora’s controversial decision to forgo an intimacy coordinator sparked plenty of heated exchanges on social media.

As the Academy Awards draw near on Sunday, March 2,  2025, the anticipation is palpable. We look at some of the possible winners on Hollywood’s biggest night.

Best Picture: Anora leads, but there others 

Anora is just barely ahead—but only by a hair. Why? A string of major wins, including the Critics Choice, Producers Guild, and Directors Guild Awards, put it in prime position. But rivals like Conclave and The Brutalist are lurking. We could see a historic upset here.

Best Director: Close fight between Sean Baker and Brady Corbet

Two directors, one golden statuette. Sean Baker (Anora) and Brady Corbet (The Brutalist) are neck and neck. But history favours Baker, thanks to the Directors Guild Awards’ near-flawless Oscar track record. Still, nothing is certain.

Best Actor: Both Adrien Brody and Timothée Chalamet are in the race

Adrien Brody (The Brutalist) was cruising toward his second Oscar—until Timothée Chalamet (A Complete Unknown) crashed the party with a major SAG win! Brody is still the favourite, but don’t be shocked if Chalamet pulls off a dramatic last-minute upset.

Best Actress: Demi Moore has a fair chance 

Demi Moore (The Substance) has swept the Golden Globes, Critics Choice, and SAG Awards. But with Anora’s Mikey Madison taking the BAFTA and I’m Still Here’s Fernanda Torres still in play, Moore’s victory lap could be premature.

Best Supporting Actor: Could Kieran Culkin lose?

Kieran Culkin (A Real Pain) has dominated awards season. Could someone else steal the statue? Sure. But at 87.7% likelihood, this one looks locked in.

Best Supporting Actress: This could be a clean sweep for Zoe Saldana 

Despite chatter that controversy around Emilia Pérez could hurt her chances, Zoe Saldaña is sweeping through the competition. The numbers say she’s almost certain to take home gold.

Best Animated flick: The Wild Robot could go for gold

Chris Sanders has been nominated four times — but never won. At 55 per cent, The Wild Robot is the favourite. But Flow and Wallace & Gromit: Vengeance Most Fowl are still in the game.

Best International movie: A twist in the tale

Emilia Pérez was expected to dominate — but controversy, critic-audience divides, and I’m Still Here gaining ground could mean a shocking upset.

Final Thoughts: Who will win, who’ll lose

There’s no such thing as a sure thing at the Oscars — but if the data is right, expect major moments, potential heartbreaks, and perhaps a few historic wins.

(Source: Hollywood Reporter, BBC)

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Bollywood power couple Govinda’s marriage on the rocks after 40 years

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Salman Khan’s ‘nepotism’ joke steals the show at nephew Ayaan’s song launch in Dubai

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Salman Khan has never been one to hold back, and at a recent event in Dubai, he added his signature dose of humour to the oft-debated topic of nepotism in Bollywood. The superstar, fondly known as Sallubhai, was in town to launch his nephew Ayaan Agnihotri’s debut song, “Universal Laws”, and in true Salman style, he had the audience in splits with his witty remark.

As Dubai’s DJ Bliss – who hosted the event – praised the Khan family for their unwavering support for Ayaan, Salman quipped, “That’s what nepotism is!” His playful jab left everyone in the room in splits.

And as the crowd cheered, Salman officially launched the song, marking Ayaan’s much-anticipated entry into the music world.

A Star-Studded Affair

The event turned into a Bollywood reunion, with stars like Arbaaz Khan, Sohail Khan, Neha Dhupia, Angad Bedi, and other celebrities coming together to celebrate Ayaan’s big moment.

During his speech, Salman highlighted that Ayaan, the son of Atul Agnihotri and Alvira Khan Agnihotri (Salman’s sister), hails from a family of seasoned film producers. He also mentioned that Ayaan’s cousin, Alizeh Agnihotri, who recently made her Bollywood debut, shares the same film-driven lineage.

Ayaan and Salman’s Previous Collaboration

This isn’t the first time the uncle-nephew duo has joined forces. Salman and Ayaan previously worked together on the track, “You Are Mine”, where the young artist showcased his rap skills alongside the Bollywood megastar. The song, composed by Vishal Mishra, became a talking point among fans.

Salman & Sanjay Dutt Spotted in Saudi Arabia

Meanwhile, Salman is keeping busy with multiple projects. A recent video circulating on social media showed him and actor Sanjay Dutt filming on the streets of Saudi Arabia. The clip, shared by an X user, captured the two actors casually chatting with crew members.

The buzz is that Salman and Sanjay are working on a cameo appearance in the Bollywood remake of the 2021 Argentine film Seven Dogs. While details remain under wraps, fans are excited to see the duo share screen space again.

From family celebrations in Dubai to shooting in Saudi Arabia, Salman Khan is proving yet again that his star power knows no boundaries.

(Inputs from Hindustan Times, Zee News)

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