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‘Star Wars meteorite’ sheds light on the early Solar System

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Locals watched in awe as a fireball exploded and hundreds of meteorite fragments rained down on the city of Tatahouine, Tunisia, on June 27, 1931. Fittingly, the city later became a major filming location of the Star Wars movie series. The desert climate and traditional villages became a huge inspiration to the director, George Lucas, who proceeded to name the fictional home planet of Luke Skywalker and Darth Vader “Tatooine”.

The mysterious 1931 meteorite, a rare type of achondrite (a meteorite that has experienced melting) known as a diogenite, is obviously not a fragment of Skywalker’s home planet. But it was similarly named after the city of Tatahouine. Now, a recent study has gleaned important insights into the the origin of the meteorite – and the early Solar System.

Lucas filmed various scenes for Star Wars in Tatahouine. These include Episode IV – A New Hope (1977), Star Wars: Episode I – The Phantom Menace (1999) and Star Wars: Episode 2 – Attack of the Clones (2002). Various famous scenes were filmed there, including scenes of “Mos Espa” and “Mos Eisley Cantina”.

Mark Hamill, the actor who played Luke Skywalker, reminisced about filming in Tunisia and discussed it with Empire Magazine: “If you could get into your own mind, shut out the crew and look at the horizon, you really felt like you were transported to another world”.

Composition and origin

Diogenites, named after the Greek philosopher Diogenes, are igneous meteorites (rocks that have solidified from lava or magma). They formed at depth within an asteroid and cooled slowly, resulting in the formation of relatively large crystals.

Tatahouine is no exception, containing crystals as big as 5mm with black veins cutting cross the sample throughout. The black veins are called shock-induced impact melt veins, and are a result of high temperatures and pressures caused by a projectile smashing into the surface of the meteorite’s parent body.

The presence of these veins and the structure of the grains of pyroxene (minerals containing calcium, magnesium, iron, and aluminum) suggest the sample has experienced pressures of up to 25 gigapascals (GPa) of pressure. To put that into perspective, the pressure at the bottom of the Mariana Trench, the deepest part of our ocean, is only 0.1 GPa. So it is safe to say this sample has experienced a pretty hefty impact.

By evaluating the spectrum (light reflecting off their surface, broken down by wavelength) of meteorites and comparing it to asteroids and planets in our Solar System, it has been suggested that diogenites, including Tatahouine, originate from the second largest asteroid in our asteroid belt, known as 4 Vesta.

This asteroid possesses interesting and exciting information about the early Solar System. Many of the meteorites from 4 Vesta are ancient, around ~4 billion years. Therefore, they offer a window to the past events of the early Solar System that we are unable to evaluate here on Earth.

Violent past

The recent study investigated 18 diogenites, including Tatahouine, all from 4 Vesta. The authors undertook “radiometric argon-argon age dating” techniques to determine the ages of the meteorites. This is based on looking at two different isotopes (versions of elements whose nuclei have more or fewer particles called neutrons). We know that a certain argon isotope in samples increases with age at a known rate, helping scientists estimate an age of a sample by comparing the ratio between two different isotopes.

The team also evaluated deformation caused by collisions, called impact events, using a type of electron microscope technique called electron backscatter diffraction.

By combining the age dating techniques and the microscope technique, the authors managed to map the timing of impact events on 4 Vesta and the early Solar System. The study suggests that 4 Vesta experienced ongoing impact events until 3.4 billion years ago when a catastrophic one occurred.

This catastrophic event, possibly another colliding asteroid, resulted in multiple smaller rubble pile asteroids being produced known as “vestoids“. Unravelling large scale impact events such as this, reveals the hostile nature of the early Solar System.

These smaller bodies experienced further collisions that caused material to hurtle to Earth over the last 50 to 60 million years – including the fireball in Tunisia.

Ultimately, this work demonstrates the importance of investigating meteorites – impacts have played a major role in the evolution of asteroids in our Solar System.

Read more: ‘Star Wars’ planet with two suns: a step towards Luke Skywalker’s Tatooine

Author: Ben Rider-Stokes – Post Doctoral Researcher in Achondrite Meteorites, The Open University The Conversation

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UAE students risk repeating a year if absences exceed 15 days, new rules state

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Public school students in the UAE could be required to repeat an academic year if their unexcused absences exceed 15 days, under new rules announced by the Ministry of Education.

The updated guidelines exclude absences related to illness, medical travel, official event participation, emergencies, or family bereavements. Students will now be allowed up to five unexcused absences per term, capped at 15 across the year. Any excess will trigger a review, with the student’s file referred to the relevant authorities and child protection services.

The ministry also clarified that absences on Fridays, or on days immediately before or after official holidays, will count as two days. A warning system has been introduced to notify parents on the first day of absence.

Special exemptions will apply to students of determination and those with chronic illnesses. Parents may also appeal within five working days of being notified, ensuring fairness in implementation.

The initiative is aimed at tackling absenteeism, which the ministry said has a direct impact on academic performance. Citing studies, it noted that missing 10 per cent of school days equates to a loss of half an academic year, while absences beyond 20 per cent amount to a full year’s loss in achievement.

Schools have been instructed to create individual support plans for students at risk of frequent absences, including counselling sessions, parent engagement, and incentive programmes.

The ministry added that it will be up to educational boards to decide whether these rules will also extend to private schools.

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Tickets now live for Dubai’s first homegrown musical spectacle

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A cultural revolution is about to begin. Tickets are now available for Once Upon A Time in Dubai, the most ambitious, emotional, and spectacular musical ever produced in the region. Opening this December at The Agenda in Dubai Media City, the show is already being called a once-in-a-generation phenomenon — and for good reason.

More than just a stage production, Once Upon A Time in Dubai is the first original large-scale musical entirely created in the UAE, blending Broadway-worthy storytelling with the energy and dreams of one of the world’s most iconic cities. Behind this bold vision is Stéphane Boukris, entrepreneur and cultural trailblazer, who has brought together an international creative dream team — including Universal Music Group MENA as co-producer — to craft a deeply emotional journey of love, ambition, and transformation, set in today’s Dubai.

“This show is a tribute to everything Dubai represents: ambition, diversity, and the power to build your own destiny,” says Boukris. “We are creating something people will never forget.”

A World-Class Team Behind the Curtain

The production brings together talents who have previously worked on global shows such as Céline Dion, Disney shows, and Arabs Got Talent (MBC). From lighting to choreography and technical design, every detail is crafted by artists and technicians at the highest international standards.

A Story That Speaks to a Generation

At the heart of the show is Will, a young English dancer who arrives in Dubai to search for Sophia, the woman he loves. Along the way, he meets artists, entrepreneurs, and dreamers from all walks of life, culminating in a celebration of courage, community, and reinvention.

The cast features rising stars Amanda Maalouf (X Factor) and Joe Woolford (The Voice UK) — with many of the lead vocalists and performers previously featured on international talent platforms, bringing an exceptional level of stage presence and vocal power. The musical includes over 20 original songs composed by Nazim Khaled, including already-viral hits like “Habibi”, “Stranger in the World”, and “Think Big”.

A City-Wide Movement

With over 150,000 spectators expected across 55 performances, the show is much more than an event — it’s becoming a movement. Once Upon A Time in Dubai is already making waves across the city with:

Strategic brand partnerships: McDonald’s, Carrefour MAF, Careem, Accor, Mall of the

Emirates, Tilal Al Ghaf, GEMS Education, and more

Immersive activations: Soundtracks in Hala taxis, QR codes in malls, music in retail

stores, and dedicated social media campaigns

Youth engagement: Auditions and showcases for students across GEMS schools,

opening the stage to the next generation of performers

The show will be performed in English, and supported by a multicultural creative team led by stage director Johan Nus.

Exclusive Ticket Sale

Tickets are available exclusively via Fever, the global ticketing platform. Pre-sale access has already launched with selected partners such as GEMS, Muse by Chalhoub, and Accor’s ALL loyalty members — with thousands of tickets snapped up in just days.

🎤 Behind the scenes videos, interviews with the cast, and a full media kit are available upon request. 📸 Press passes for opening week are now being issued — be among the first to witness the birth of a new cultural landmark.

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Dubai Musical Debuts with Amanda Maalouf’s Anthem

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In a performance that blended emotion, elegance, and East-West harmony, Lebanese-French singer Amanda Maalouf on Wednesday gave a select UAE audience a stirring preview of the upcoming musical Once Upon A Time in Dubai, set to premiere in December 2025.

The exclusive showcase featured Maalouf performing “Habibi,” one of the show’s signature numbers, at an invite-only preview attended by media, partners, and cultural stakeholders. The song—a poignant blend of Arabic influences and Western theatrical arrangement—earned enthusiastic applause, offering a glimpse of what producers are calling “a new kind of musical for a new Dubai.”

“Dubai is more than a setting—it’s a character in this story,” said Stéphane Boukris, co-producer of the musical. “This project is about cultural unity, artistic innovation, and shining a spotlight on a new generation redefining identity in the Middle East. We’re proud to bring this bridge between France and the UAE to life.”

For Maalouf, whose performance marked the first public taste of the show, the moment was deeply personal. “Habibi is a song that speaks from the heart—it’s a journey through love, self-expression, and identity,” she told reporters after the performance. “Performing it here in Dubai, where East and West meet so beautifully, is a dream. This is just the beginning [of great things together].”

The team behind Once Upon A Time in Dubai says the musical is more than entertainment—it’s a cultural project designed to showcase Dubai as a city of stories, voices, and future-forward artistry.

The production is backed by Universal Music and features a cast and crew with international credentials, with more previews and announcements expected soon.

A collaboration between a visionary French team and Universal Music, the musical tells the story of a young generation rising in the heart of Dubai, navigating identity, ambition, and tradition in a rapidly changing world. With original compositions by renowned composer Nazim Khaled and set against the backdrop of the UAE’s global crossroads, the show promises to be a landmark moment for original musical theatre in the region. The story, told through original music and dance, will premiere later this year, with full production details expected to be announced over the coming months.

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