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BOOK REVIEW: The Culinary Canon

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Megan Jane de Paulo‘s cookbook, The Culinary Canon, aims for gourmet greatness but sadly misfires, writes Elizabeth Spiegel.

DURING COVID LOCKDOWNS, millions of people discovered – or rediscovered – domestic arts. Some took their new skills to social media and a few to books.

A few of these books are delightful, like B Dylan HollisBaking Yesteryear. It takes boldness, though, for a person with virtually no experience in a professional kitchen to title her self-published book The Culinary Canon.

“Most” of the recipes, we’re told in ‘About this book’, are for one-to-two serves because it’s easier to double or triple a recipe than to halve it. Which makes sense, except that there’s rarely any indication of whether, to serve four people, I should multiply by two or four. Or in some cases, like the butter chicken, to just use the quantities listed.

The ‘Introduction’ includes some interesting facts about measurements – in particular, the variation in cup and spoon measurements throughout the world – to explain why she has chosen to use only millilitres for liquids and grams for dry ingredients. I’m not entirely convinced that this achieves a more consistent result than spoon measurements when it comes to spice measures of a few grams, but perhaps that’s just my scales.

You might expect that the list of equipment basics would be sufficient to prepare the recipes in this “foundation” text, but not so. For example, while it includes an Instant Pot, air fryer and toaster, it doesn’t include a wok or silicone mat.

Writing a cookbook: Chef’s kiss or a recipe for disaster

Writing a cookbook involves a lot more work than merely listing what goes into a meal and how to prepare it.

The work lacks consistency on many levels. In the pantry, flour (no specific type) is grouped with sugar (granulated, caster and brown) under ‘Dry goods’, while white rice and puy lentils are listed under ‘Misc’. ‘Vinegars’ and ‘Oils’ have their own groups, while passata appears under ‘Liquids’, chicken stock under ‘Seasonings’ and coconut milk under ‘Canned’.

In the fridge, one new-to-me condiment is toban djan; when used in a recipe, this becomes ‘doubanjiang’. (This spicy bean paste is marketed under both names, but a cookbook author should either stick to one or explain that they’re both the same thing.)

Each section leads with a quote, or a few quotes, often in small, pale grey text. Many of these are still in copyright, so I have to wonder whether permission has been obtained – particularly since some are incorrectly cited. Good Omens is by Neil Gaiman and Terry Pratchett; Baron Harkonnen‘s statement in the movie adaptations of Dune that ‘He who controls the spice, controls the universe’ is uncredited as ‘Whoever controls the spice controls the universe’.

I haven’t tried every recipe in this book (and won’t), but have tested a few.

Butter chicken with spinach was very tasty – a little heavy on the cumin, but that may be either personal taste or the vagaries of using a digital scale rather than measuring spoons to measure small quantities of spices. The quantity listed satisfied four hungry adults.

However, considering that this book is described as “foundation[al] knowledge”, the reader should perhaps be told not to add all chicken to the pan at once, but instead to brown it in batches. Similarly, the Chai nuts were delicious, but a new baker might not know that the butter must be at room temperature before creaming with sugar. I’m not convinced that an inexperienced cook – or indeed anyone – should risk laying tempura-battered shiso leaves into hot oil ‘with two hands’ rather than tongs or chopsticks.

The ‘quiche formula’ of one egg to 120ml dairy is followed by a recipe calling for three eggs and 375ml dairy. ‘Dairy’ in this case presumably means milk, cream or some combination of the two – but not cheese, which is separately listed – because it isn’t spelled out anywhere.

Rediscovering the joy of home cooking

The convenience of dining out due to our busy lives has led to the joy of home cooking becoming a lost art.

Attractive photos, that enhance the book’s appearance, are either the author’s own or licenced from Unsplash.com. Few are captioned (while Unsplash asks that photographers be credited, it does not insist) so it’s impossible to know which are which.

Serving suggestions, oddly headed ‘Plate analysis’, are attractively photographed, with clear instructions as to how the result was achieved. It’s a pity, then, that some require recipes promised for volume two.

A copy editor could have been expected to suggest revisions to the idiosyncratic punctuation and many run-on sentences; to pick up errors like ‘it’s usage’, ‘finally chopped’ garlic and shallots, the ‘Goldilocks Principal’ and a note that it’s best to use brown/yellow/white onions – in a recipe for roast pumpkin that doesn’t include onions.

A cookbook editor would almost certainly have identified recipes where an ingredient was omitted (pear tarte tatin) or included twice (butter chicken), or where an item of equipment was listed but never used (Nanna de Paulo’s scones). They might also have pointed out that a sandwich gets its name from the Earl of Sandwich and the noun is a century older than the verb (to sandwich something).

My final verdict: a book with many interesting facts and some tasty recipes which desperately needed the intervention of an experienced professional editor – ideally one specialising in cookbooks. Despite its attractive presentation, the myriad of errors and inconsistencies make the overall product an unprofessional one.

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Elizabeth Spiegel is a professional editor (but not a cookbook editor) and experienced home cook.

‘The Culinary Canon, Foundation Knowledge: Volume 1, Edition 1’ by Megan Jane de Paulo is available here for $40.00 RRP (paperback) or $11.99 RRP (digital edition).

This book was reviewed by an IA Book Club member. If you would like to receive free high-quality books and have your review published on IA, subscribe to Independent Australia for your complimentary IA Book Club membership.

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OSCAR SHOCKS AND SURPRISES: WHO IS LIKELY TO WIN BIG ON HOLLYWOOD’S BIGGEST NIGHT

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On the big screen, Deadpool clashed with Wolverine in a spectacle that set social media abuzz, while animated darling Inside Out 2 stormed the box office — leaving Joker’s sequel in its shadow. Off-camera, there was more drama as Blake Lively and Justin Baldoni found themselves locked in a bitter legal feud.

The off-screen action, however, didn’t stop there. There were debates over The Brutalist’s daring use of AI and Anora’s controversial decision to forgo an intimacy coordinator sparked plenty of heated exchanges on social media.

As the Academy Awards draw near on Sunday, March 2,  2025, the anticipation is palpable. We look at some of the possible winners on Hollywood’s biggest night.

Best Picture: Anora leads, but there others 

Anora is just barely ahead—but only by a hair. Why? A string of major wins, including the Critics Choice, Producers Guild, and Directors Guild Awards, put it in prime position. But rivals like Conclave and The Brutalist are lurking. We could see a historic upset here.

Best Director: Close fight between Sean Baker and Brady Corbet

Two directors, one golden statuette. Sean Baker (Anora) and Brady Corbet (The Brutalist) are neck and neck. But history favours Baker, thanks to the Directors Guild Awards’ near-flawless Oscar track record. Still, nothing is certain.

Best Actor: Both Adrien Brody and Timothée Chalamet are in the race

Adrien Brody (The Brutalist) was cruising toward his second Oscar—until Timothée Chalamet (A Complete Unknown) crashed the party with a major SAG win! Brody is still the favourite, but don’t be shocked if Chalamet pulls off a dramatic last-minute upset.

Best Actress: Demi Moore has a fair chance 

Demi Moore (The Substance) has swept the Golden Globes, Critics Choice, and SAG Awards. But with Anora’s Mikey Madison taking the BAFTA and I’m Still Here’s Fernanda Torres still in play, Moore’s victory lap could be premature.

Best Supporting Actor: Could Kieran Culkin lose?

Kieran Culkin (A Real Pain) has dominated awards season. Could someone else steal the statue? Sure. But at 87.7% likelihood, this one looks locked in.

Best Supporting Actress: This could be a clean sweep for Zoe Saldana 

Despite chatter that controversy around Emilia Pérez could hurt her chances, Zoe Saldaña is sweeping through the competition. The numbers say she’s almost certain to take home gold.

Best Animated flick: The Wild Robot could go for gold

Chris Sanders has been nominated four times — but never won. At 55 per cent, The Wild Robot is the favourite. But Flow and Wallace & Gromit: Vengeance Most Fowl are still in the game.

Best International movie: A twist in the tale

Emilia Pérez was expected to dominate — but controversy, critic-audience divides, and I’m Still Here gaining ground could mean a shocking upset.

Final Thoughts: Who will win, who’ll lose

There’s no such thing as a sure thing at the Oscars — but if the data is right, expect major moments, potential heartbreaks, and perhaps a few historic wins.

(Source: Hollywood Reporter, BBC)

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Bollywood power couple Govinda’s marriage on the rocks after 40 years

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Salman Khan’s ‘Nepotism’ Joke Steals the Show at Nephew Ayaan’s Song Launch in Dubai

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Salman Khan has never been one to hold back, and at a recent event in Dubai, he added his signature dose of humour to the oft-debated topic of nepotism in Bollywood. The superstar, fondly known as Sallubhai, was in town to launch his nephew Ayaan Agnihotri’s debut song, “Universal Laws”, and in true Salman style, he had the audience in splits with his witty remark.

As Dubai’s DJ Bliss – who hosted the event – praised the Khan family for their unwavering support for Ayaan, Salman quipped, “That’s what nepotism is!” His playful jab left everyone in the room in splits.

And as the crowd cheered, Salman officially launched the song, marking Ayaan’s much-anticipated entry into the music world.

A Star-Studded Affair

The event turned into a Bollywood reunion, with stars like Arbaaz Khan, Sohail Khan, Neha Dhupia, Angad Bedi, and other celebrities coming together to celebrate Ayaan’s big moment.

During his speech, Salman highlighted that Ayaan, the son of Atul Agnihotri and Alvira Khan Agnihotri (Salman’s sister), hails from a family of seasoned film producers. He also mentioned that Ayaan’s cousin, Alizeh Agnihotri, who recently made her Bollywood debut, shares the same film-driven lineage.

Ayaan and Salman’s Previous Collaboration

This isn’t the first time the uncle-nephew duo has joined forces. Salman and Ayaan previously worked together on the track, “You Are Mine”, where the young artist showcased his rap skills alongside the Bollywood megastar. The song, composed by Vishal Mishra, became a talking point among fans.

Salman & Sanjay Dutt Spotted in Saudi Arabia

Meanwhile, Salman is keeping busy with multiple projects. A recent video circulating on social media showed him and actor Sanjay Dutt filming on the streets of Saudi Arabia. The clip, shared by an X user, captured the two actors casually chatting with crew members.

The buzz is that Salman and Sanjay are working on a cameo appearance in the Bollywood remake of the 2021 Argentine film Seven Dogs. While details remain under wraps, fans are excited to see the duo share screen space again.

From family celebrations in Dubai to shooting in Saudi Arabia, Salman Khan is proving yet again that his star power knows no boundaries.

(Inputs from Hindustan Times, Zee News)

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